Writing Style
Fletcher's writings, while serious in nature, display his keen wit, sometimes demonstrated by the use of clever satire. His typical form for constructing his arguments was a theological treatise written in epistolary fashion, though he utilized the literary convention of hypothetical Socratic "dialogues", as well as writing sermons and poetry, the most famous poem of which is his La Grace et la Nature. His Portrait of St. Paul, written in French, but translated and published posthumously, fit well within the genre of clerical training books of the period.
He typically wrote of God in terms of divine moral qualities rather than in terms of power or wrath. His themes were:
"1. Man is utterly dependent upon God's gift of salvation, which cannot be earned but only received; and
2. The Christian religion is of a personal and moral character involving ethical demands on man and implying both human ability and human responsibility."
Fletcher himself summarized his theological position:
"The error of rigid Calvinists centers in the denial of that evangelical liberty, whereby all men, under various dispensations of grace, may without necessity choose life...And the error of rigid Arminians consists in not paying a cheerful homage to redeeming grace, for all the liberty and power which we have to choose life, and to work righteousness since the fall...To avoid these two extremes, we need only follow the Scripture-doctrine of free-will restored and assisted by free-grace."
John Wesley had chosen Fletcher to lead the Methodist movement upon Wesley's passing, but Fletcher died prior to Wesley.
Though the entire Methodist family utilizes Fletcher's work, his writings have found particular popularity among Holiness theologians.
Read more about this topic: John William Fletcher
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