History
Wiley was established in 1807 when Charles Wiley opened a print shop in Manhattan. The company was the publisher of such 19th century American literary figures as James Fenimore Cooper, Washington Irving, Herman Melville, and Edgar Allan Poe, as well as of legal, religious, and other non-fiction titles. Wiley later shifted its focus to scientific, technical, and engineering subject areas, abandoning its literary interests.
Charles Wiley's son John (born in Flatbush, Long Island, 4 October 1808; died in East Orange, New Jersey, 21 February 1891) took over the business when his father died in 1826. The firm was successively named Wiley, Lane & Co., then Wiley & Putnam, and then John Wiley. The company acquired its present name in 1876, when John’s second son William H. Wiley joined his brother Charles in the business.
Through the 20th century, the company expanded its publishing activities, the sciences, and higher education. Since the establishment of the Nobel Prize in 1901, Wiley and its acquired companies have published the works of more than 450 Nobel Laureates, in every category in which the prize is awarded.
One of the world’s oldest independent publishing companies, Wiley marked its bicentennial in 2007 with a year-long celebration, hosting festivities that spanned four continents and ten countries and included such highlights as ringing the closing bell at the New York Stock Exchange on May 1. In conjunction with the anniversary, the company published Knowledge for Generations: Wiley and the Global Publishing Industry, 1807-2007, depicting Wiley’s pivotal role in the evolution of publishing against a social, cultural, and economic backdrop. Wiley has also created an online community called Wiley Living History, offering excerpts from Knowledge for Generations and a forum for visitors and Wiley employees to post their comments and anecdotes.
Read more about this topic: John Wiley & Sons
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—Erma Brombeck (20th century)
“The history of work has been, in part, the history of the worker’s body. Production depended on what the body could accomplish with strength and skill. Techniques that improve output have been driven by a general desire to decrease the pain of labor as well as by employers’ intentions to escape dependency upon that knowledge which only the sentient laboring body could provide.”
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“Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.”
—Bertolt Brecht (1898–1956)