John Swartzwelder - Biography

Biography

Swartzwelder attended high school in Renton, Washington. Swartzwelder started out with a career in advertising, after which he began writing for Saturday Night Live, where he met George Meyer. After Meyer quit and created the magazine Army Man he recruited Swartzwelder to help him write it. Meyer noted on Army Man: "The only rule was that the stuff had to be funny and pretty short. To me, the quintessential Army Man joke was one of John Swartzwelder's: 'They can kill the Kennedys. Why can't they make a cup of coffee that tastes good?' It's a horrifying idea juxtaposed with something really banal—and yet there's a kind of logic to it. It's illuminating because it's kind of how Americans see things: Life's a big jumble, but somehow it leads to something I can consume. I love that." In 1988, Sam Simon, a reader of Army Man, recruited both Swartzwelder and Meyer to write for a new Fox animated sitcom he was executive producing; The Simpsons.

By 1994, with the show's sixth season, Swartzwelder was granted a special dispensation and allowed to no longer attend rewrite sessions with the rest of the staff, instead being allowed to send drafts of his scripts in from home so other writers could revise them as they saw fit. This was a direct result of Swartzwelder's avid smoking coming into conflict with a newly implemented policy banning smoking in the writers' room. His longtime collaborators on The Simpsons, Al Jean and Mike Reiss, describe Swartzwelder as a huge fan of Preston Sturges films and a lover of "anything old timey American." This vaguely defined aesthetic presents itself in many of the episodes he has written in the form of wandering hobos, Prohibition-era speakeasies, carnies, 19th-century baseball players, aging Western movie stars, and Sicilian gangsters.

According to Matt Groening, Swartzwelder used to write episodes while sitting in a booth at a coffee shop "drinking copious amounts of coffee and smoking endless cigarettes". When California passed an anti-smoking law, Swartzwelder bought the diner booth and installed it in his house, allowing him to continue his process in peace. He is also reported to be a staunch libertarian as well as a gun rights advocate, and despite having written many of the environmentally driven episodes, he has been described as an "anti-environmentalist". David Cohen once related a story of Swartzwelder going on an extended diatribe about how there is more rain forest on Earth now than there was a hundred years ago.

With the exception of his contributions to the movie, released in 2007, Swartzwelder has been absent from The Simpsons writing staff since the fifteenth season (2003–04), with his last airing episode ("The Regina Monologues") actually being a "holdover" written for the fourteenth (2002–03) season. Since leaving The Simpsons, he has taken up writing absurdist novels, beginning with the 2004 publication of science-fiction detective story The Time Machine Did It starring private investigator Frank Burly. The next year he published Double Wonderful, a Western, before returning to the Burly character for How I Conquered Your Planet in 2006, The Exploding Detective in 2007, Dead Men Scare Me Stupid in 2008, Earth vs. Everybody in 2009, The Last Detective Alive in 2010, The Fifty Foot Detective in 2011, and The Million Dollar Policeman in 2012.

Read more about this topic:  John Swartzwelder

Famous quotes containing the word biography:

    Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
    Rebecca West [Cicily Isabel Fairfield] (1892–1983)

    There never was a good biography of a good novelist. There couldn’t be. He is too many people, if he’s any good.
    F. Scott Fitzgerald (1896–1940)

    A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.
    André Maurois (1885–1967)