Music and Theatre
John Stamos performed on an independently released 1994 album entitled Shades of Blue along with Lanny Cordola, Gary Griffin, Sandra Stephens, Tony Guerrero, and David Enos. Shades of Blue was re-released digitally through iTunes and other channels in 2010 after being long out-of-print.
Stamos appeared on Broadway as the emcee in Cabaret, and also in Nine and How To Succeed In Business Without Really Trying.
Stamos performed the Billy Joel song "Lullabye (Goodnight, My Angel)" on the 2006 charity album Unexpected Dreams – Songs From the Stars. He also performed the role of Emcee in the Broadway production of Cabaret.
Stamos performed on a Marianas Trench song, recorded on the album Masterpiece Theatre.
On March 30, 2009, he announced that he would participate in the Broadway revival of Bye Bye Birdie. Stamos won the 2009–10 Golden Icon Award for best actor in a musical for his performance in that production.
Stamos was awarded a star on the Hollywood Walk of Fame on November 16, 2009. The star is located at 7021 Hollywood Blvd.
Stamos performed with John Fogerty on April 24, 2010 during one of the Tampa Bay Rays Post-Game Concerts. Stamos rotated between the tambourine, drums, & bass guitar throughout the concert.
In August 2011, Stamos performed in Hairspray at the Hollywood Bowl as Corny Collins, alongside an all-star cast.
On July 10, 2012, Stamos began performances on Broadway in Gore Vidal's The Best Man as Senator Joseph Cantwell.
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Famous quotes containing the words music and, music and/or theatre:
“... the majority of colored men do not yet think it worth while that women aspire to higher education.... The three R’s, a little music and a good deal of dancing, a first rate dress-maker and a bottle of magnolia balm, are quite enough generally to render charming any woman possessed of tact and the capacity for worshipping masculinity.”
—Anna Julia Cooper (1859–1964)
“We live in the mind, in ideas, in fragments. We no longer drink in the wild outer music of the streets—we remember only.”
—Henry Miller (1891–1980)
“... in the happy laughter of a theatre audience one can get the most immediate and numerically impressive guarantee that there is nothing in one’s mind which is not familiar to the mass of persons living at the time.”
—Rebecca West (1892–1983)