Shade's Poetry
Nabokov provides some incidental samples of Shade's work—The Sacred Tree, The Swing— in addition to the title poem. This is a gallant authorial gesture, as when a professor at Cornell, Nabokov had complained from the lectern of authors who ask readers to accept a character's gifts on faith: "The author has hinted already that Gurov was witty in the company of women: and instead of having the reader take it for granted (you know the old method of describing the talk as 'brilliant' but giving no samples of the conversation), Chekhov makes him joke in a really attractive, winning way." The longest sample is Shade's 999-line work, rendered in heroic couplets (rhyming pairs of lines in iambic pentameter), which is also titled "Pale Fire" and provides one facet of the novel's reflexive structure.
Divided into four cantos, Shade's poem describes his life, his obsession with the senses, and his boyhood-to-maturity preoccupation with death. The work is notable for its description of a near-death experience (Shade treats it with a mixture of skepticism and reverence), and for the "faint hope" of an afterlife which it provides.
Shade's poetry is referenced in the last chapter of Nabokov's 1969 novel Ada or Ardor: A Family Chronicle.
Read more about this topic: John Shade
Famous quotes containing the words shade and/or poetry:
“As the shade went up
And the ambulance came crashing through the dust
Of the new day, the moon and the sun and the stars,
And the iceberg slowly sank
In the volcano and the sea ran far away
Yellow over the hot sand, green as the green trees.”
—John Ashbery (b. 1927)
“All poetry is supposed to be instructive but in an unnoticeable manner; it is supposed to make us aware of what it would be valuable to instruct ourselves in; we must deduce the lesson on our own, just as with life.”
—Johann Wolfgang Von Goethe (1749–1832)