John P. Marquand - Novels

Novels

Mr Moto novels

  • No Hero. Boston, Little Brown, 1935 ; as Mr. Moto Takes a Hand, London, Hale, 1940 ; as Your Turn, Mr. Moto, New York, Berkley, 1963.
  • Thank You, Mr. Moto. Boston, Little Brown, 1936 ; London, Jenkins, 1937.
  • Think Fast, Mr. Moto. Boston, Little Brown, 1937 ; London, Hale, 1938.
  • Mr. Moto Is So Sorry. Boston, Little Brown, 1938 ; London, Hale, 1939.
  • Last Laugh, Mr. Moto. Boston, Little Brown, 1942 ; London, Hale, 1943.
  • Stopover: Tokyo. Boston, Little Brown, and London, Collins, 1957 ; as The Last of Mr. Moto, New York, Berkley, 1963 ; as Right You Are, Mr. Moto, New York, Popular Library, 1977.

Other novels

  • The Unspeakable Gentleman. New York, Scribner, and London, Hodder and Stoughton, 1922.
  • The Black Cargo. New York, Scribner, and London, Hodder and Stoughton, 1925.
  • Do Tell Me, Doctor Johnson. Privately printed, 1928.
  • Warning Hill. Boston, Little Brown, 1930.
  • Haven's End. Boston, Little Brown, 1933 ; London, Hale, 1938.
  • Ming Yellow. Boston, Little Brown, and London, Lovat Dickson, 1935.
  • The Late George Apley. Boston, Little Brown, 1937
  • Wickford Point. Boston, Little Brown, 1939
  • Don't Ask Questions. London, Hale, 1941 .
  • H.M. Pulham, Esquire. Boston, Little Brown, and London, Hale, 1942.
  • So Little Time. Boston, Little Brown, 1943 ; London, Hale, 1944.
  • Repent in Haste. Boston, Little Brown, 1945 ; London, Hale, 1949.
  • B.F.'s Daughter. Boston, Little Brown, 1946 ; as Polly Fulton, London, Hale, 1947.
  • Point of No Return. Boston, Little Brown, and London, Hale, 1949.
  • It's Loaded, Mr. Bauer. London, Hale, 1949.
  • Melville Goodwin, USA. Boston, Little Brown, 1951 ; London, Hale, 1952.
  • Sincerely, Willis Wayde. Boston, Little Brown, and London, Hale, 1955.
  • Women and Thomas Harrow. Boston, Little Brown, 1958 ; London, Collins, 1959.

Read more about this topic:  John P. Marquand

Famous quotes containing the word novels:

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)

    The novels are as useful as Bibles, if they teach you the secret, that the best of life is conversation, and the greatest success is confidence, or perfect understanding between sincere people.
    Ralph Waldo Emerson (1803–1882)

    Of all my novels this bright brute is the gayest.
    Vladimir Nabokov (1899–1977)