John Moran (composer) - 2000-2005

2000-2005

In 2000, Moran's opera Book of The Dead (2nd Avenue) was commissioned by Lincoln Center for the Performing Arts, and produced by George Wolfe for The New York Shakespeare Festival / Public Theater, in New York City and featured actress Uma Thurman as the work's narrator. The work received less than favorable review, however, and in later autobiographical works Moran himself described the production as "one of the most unhappy times of life.", owing to "the sheer mechanical hugeness of it all." The work (also designed by Moran) received The American Theater Wing Design Award (now called The Hewes Award) for "Best Theatrical Design in New York City (2000)".

He then relocated to Germany and re-mounted his work Everyday, Newt Burman in 2001 at Staatstheater-Darmstadt, where he apparently met German dancer Eva Müller who starred in the remounted production. Upon returning to America together, Moran began to create duet works for himself and Müller. Regarding these duet performances, TimeOut Magazine wrote that Moran had "reaffirmed his reputation as one of the most important (and underrated) figures in the avantgarde." Also at this time, in 2003, Philip Glass was quoted to say, "I am convinced that there is no more important composer working today than John Moran. His works have been so advanced as to be considered revolutionary." However, possibly owing to disappointing reviews from his ambitious 2000 work, Book of The Dead (2nd Avenue), Moran seemed to resign himself with smaller venues, such as Galapagos Art Space in Brooklyn, and Joe's Pub in New York City.

In 2004-2005 Moran spent nearly 2 years as artist-in-residence for Mairie de Paris (The City of Paris), however these were described by the composer as less than productive times. In later interviews, Moran related having buried the remains of his former works with dancer Eva Müller under a "popular landmark" in Paris, so that tourists would unknowingly take photographs of its remains. If true, this would likely be in an area of Montmartre, next the iconic Basilique du Sacré-Cœur, where Moran resided at the time.

During this period Moran received fellowships from The American Academy of Arts and Letters and The Pen American Center. But, perhaps strangely, it was reported by The New York Times in 2006 that Moran had experienced a period of homelessness upon returning to America at the end of 2005, immediately after the creation of his highly praised work John Moran...and his neighbor, Saori, with Japanese-born dancer Saori Tsukada.

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