Biography
John Kiffmeyer was born in California on July 11, 1969. His first exposure in the punk scene was as the drummer of the band Isocracy. The group was popular in the East Bay, and mainstays at the famed club, 924 Gilman Street.
However, Kiffmeyer is most well known for his time in Green Day. After the end of Isocracy, Kiffmeyer helped form Green Day. Because of his experience and knowledge of the underground community, Kiffmeyer was able to get the young band on its feet by placing calls to friends, among them prominent figure of the East Bay Larry Livermore. The first few performances took place at Contra Costa College, where Kiffmeyer was a journalism student. On the strength of an early performance, Livermore vowed to release a Green Day record on his Lookout! Records. The group's first full-length effort, 39/Smooth, would feature a Kiffmeyer original, "I Was There", which documented the band at that place in time. Being a fan of Ozzy Osbourne, it was he who inspired the mini-covers of some famous songs, such as "I Don't Know" by Ozzy Osbourne and "Sweet Home Alabama" by Lynyrd Skynyrd during the bridge of "Disappearing Boy," a practice that is still carried out today.
In 1990, he left the band to attend college at Humboldt State University in Arcata, California. Kiffmeyer later joined the band The Ne'er Do Wells, leaving abruptly in 1994. Following a stint with punk band The Ritalins, he became manager of The Shruggs until their split. Recently he produced "The Lobom Funka Album" by The Troublemakers, a garage band from Sacramento, California.
He now lives in San Francisco, California and is married to experimental filmmaker and San Francisco State University professor Greta Snider. He works as a Director of Photography, specializing in green screen and producing mainly commercial work.
Read more about this topic: John Kiffmeyer
Famous quotes containing the word biography:
“The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.”
—Henry David Thoreau (18171862)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (18851967)
“The best part of a writers biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (18991977)