| Opening date | Closing date | Performances | Title | Role | Theatre |
|---|---|---|---|---|---|
| Mar 10, 1959 | Jan 30, 1960 | 375 | Sweet Bird of Youth | Tom Junior - Replacement | Martin Beck Theatre |
| Oct 29, 1960 | Feb 4, 1961 | 113 | Invitation to a March | Aaron Jablonski Schuyler Grogan |
Music Box Theatre |
| Nov 11, 1963 | Nov 16, 1963 | 8 | Uri, ArturoArturo Uri | Shorty Ensemble |
Lunt-Fontanne Theatre |
| Jan 1, 1964 | Jan 4, 1964 | 5 | Milk Train Doesn't Stop Here Anymore, TheThe Milk Train Doesn't Stop Here Anymore | Stage Manager | Brooks Atkinson Theatre |
| Feb 18, 1965 | Mar 27, 1965 | 44 | All in Good Time | Geoffrey Fitton | Royale Theatre |
| Nov 1, 1965 | Nov 6, 1965 | 8 | Postmark Zero | Unknown | Brooks Atkinson Theatre |
| March 05, 1966 | April 17, 1966 | 49 | Monopoly | Joe (Monopoly) Mr. Stein (Suburban Tragedy) |
Stage 73 |
Read more about this topic: John Karlen
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“... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didnt learn to endure. To survive, we had to be horses and we were.”
—Helen Hayes (19001993)
“This visible world is wonderfully to be delighted in, and highly to be esteemed, because it is the theatre of Gods righteous Kingdom.”
—Thomas Traherne (16361674)
“People fall out of windows, trees tumble down,
Summer is changed to winter, the young grow old
The air is full of children, statues, roofs
And snow. The theatre is spinning round,
Colliding with deaf-mute churches and optical trains.
The most massive sopranos are singing songs of scales.”
—Wallace Stevens (18791955)