John Hartford - Steamboating

Steamboating

The culture of the Mississippi River and its steamboats captivated Hartford from an early age. He said that it would have been his life's work "but music got in the way", so he intertwined them whenever possible. In the 70s, Hartford earned his steamboat pilot's license, which he used to keep close to the river he loved; for many years, he worked as a pilot on the steamboat Julia Belle Swain during the summers. He also worked as a towboat pilot on the Mississippi, Illinois, and Tennessee rivers.

During his later years, he came back to the river every summer. "Working as a pilot is a labor of love", he said. "After a while, it becomes a metaphor for a whole lot of things, and I find for some mysterious reason that if I stay in touch with it, things seem to work out all right". His home in Madison, Tennessee, was situated on a bend of the Cumberland River and built to simulate the view from a steamboat deck. He used to talk to the boat captains by radio as their barges crawled along the river, and that bend of the Cumberland River is known as "Hartford's Bend" on plat maps.

An accomplished fiddler and banjo player, Hartford was simultaneously an innovative voice on the country scene and a reminder of a vanished era. Along with his own compositions, such as Long Hot Summer Days and Kentucky Pool, Hartford was a repository of old river songs, calls, and stories. Hartford was also the author of Steamboat in a Cornfield, a children's book that recounts the true story of the Ohio River steamboat The Virginia and its beaching in a cornfield.