John Glascock - Career

Career

The first band John Glascock played with was The Juniors (1962–1964). He then played with The Gods (early 1965 - June 1967, September 1967 - February 1969), Head Machine (1970), Toe Fat (June 1969 - December 1970) and Chicken Shack (January 1971 - March 1972). In 1973 he joined Carmen.

In Carmen John Glascock played Bass Guitar, sang backup vocals, occasionally played Synthesizers, and even sang lead vocals on a few songs. These songs include "The City", "Dancing On A Cold Wind" (Sharing Lead Vocals with David Allen), and "The Horseman" (Sharing Vocal duties with all of Carmen), all from Dancing On A Cold Wind. He also sang on the track "High Time" from The Gypsies. Glascock's basslines in Carmen were often technical and unusual. They were key to Carmen's unique sound. Unlike his work in Jethro Tull, Glascock utilized effects in his sound while with Carmen, like a fuzz pedal in the song "Viva Mi Sevilla". Glascock had only one writing credit on the first album recorded by Carmen, Fandangos In Space, the short track "Retirando". He shared this writing credit with the rest of the band. His writing expanded greatly by the time of the second album, Dancing on a cold wind. On this album he had a writing credit for three songs, "Viva Mi Sevilla" (Which he shares with the rest of the band), "Purple Flowers" (Which he shares with Roberto Amaral), and "Remembrances" (Which he shares with the rest of the band). His writing had reached a climax by the time of Carmen's third and final album, The Gypsies. On this album he wrote "High Time" by himself, and sang lead vocals on it. He and the rest of the band also share a writing credit on the instrumental track "Margarita".

Glascock then joined Jethro Tull, after having met Ian Anderson when Carmen opened several dates for Jethro Tull on their War Child tour. He played on the Jethro Tull albums Too Old to Rock 'n' Roll: Too Young to Die!, Songs from the Wood, Heavy Horses, Live - Bursting Out, and certain tracks on Stormwatch. In Jethro Tull he received no writing credits, but sang backing vocals, and became the first harmony vocalist Jethro Tull had. He even sang on the album he was not credited on, Heavy Horses.

Glascock replaced the longtime friend of Ian Anderson, Jeffrey Hammond-Hammond. He also played electric guitar on-stage when Anderson's arrangement required it, as for instance in performances of "Skating Away (On the Thin Ice of the New Day)" from the Bursting Out live album, when the rest of the band was playing xylophone, glockenspiel and percussion.

Glascock's health problems became apparent when he was unable to complete the U.S. leg of the Heavy Horses tour, missing a transatlantic simulcast from Madison Square Garden. He played his last gig on May 1, 1979, in San Antonio, Texas, three years to the day of his first gig with Jethro Tull. Despite the diagnosis of heart valve damage caused by an infection, he continued his previous lifestyle, which involved heavy drinking, marijuana usage, and wild parties. His health continued to deteriorate. Ian Anderson gave him several warnings before finally laying him off with pay during the production of Stormwatch, completing most of the bass guitar parts himself. During the subsequent promotional tour with replacement bass player Dave Pegg, Anderson learned of Glascock's death and had to break the news to the rest of the band. Glascock's close friend, drummer Barriemore Barlow, was devastated and left the band at the end of the tour. Mark Craney replaced him.

The resulting dislocation, Ian Anderson's own artistic vision, and a decision from the label, prompted a complete overhaul of the lineup, leaving only Anderson and Martin Barre as full members, though Glascock's touring replacement on bass (Dave Pegg) was retained for the band's follow-up album in 1980.

Read more about this topic:  John Glascock

Famous quotes containing the word career:

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)

    They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.
    Anne Roiphe (20th century)

    John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.
    Henry David Thoreau (1817–1862)