John Diamond (dancer) - Dance Style

Dance Style

Diamond repertoire was a mixture of African American, English, and Irish steps. He danced the "five mile out of town dance", the "Long Island breakdown", the "Negro camptown hornpipe", the "ole Virginna breakdown", and the "smokehouse dance". A playbill claimed that his "rattle snake jig" had 120 steps. The steps and maneuvers that made up these dances had equally colorful names; his hornpipe featured the "double shuffle", the "heel and toe", the "pigeon wing", and "running on his heels". His energetic breakdowns were among his more famous dances. Diamond performed in blackface, but some of his dances were strictly British or Irish in origin and were danced without makeup. Examples of these were an Irish jig called the "fireman's hornpipe" and the "naval hornpipe in the character of a Yankee sailor".

Diamond's dances were characterized by little upper-body movement and rapid footwork. He left his upper body relaxed so as to bring attention to his feet. One characteristic step was to lean forward and dangle his hands loosely, look to the side, and slide across the stage with a heel–toe alternation. Noah M. Ludlow, a theatre manager, wrote that "He could twist his feet and legs, while dancing, into more fantastic forms than I ever witnessed before or since in any human being." His playbills proclaimed Diamond a performer of "the greatest display of heel and toe genus ever witnessed" and that "Now de heels, if dares any music in you, its got to come out". Diamond's rapid footwork rapped out percussive patterns on the floor. He advertised that he could create music with his heels.

Diamond's act also incorporated singing, either by a partner or by Diamond himself. When partnered with a banjoist, Diamond danced and leapt about the stage while the musician played. These acts involved precise choreography. His repertoire consisted of popular blackface numbers, such as "Jim-a-Long-Josey". He performed stump speeches as well, such as his "Negro speech in Congress".