John Crowley (director) - Theatre

Theatre

  • A Behanding in Spokane (2010) on Broadway.
  • A Steady Rain (2009) on Broadway.
  • Love Song (2006-7) - Written by John Kolvenbach. New Ambassadors Theatre (West End), London. This production, which was the UK premiere, starred Neve Campbell & Cillian Murphy.
  • The Pillowman (2005) - International tour.
  • The Pillowman (2003-4) - Royal National Theatre.
  • On An Average Day (2002) - the Comedy Theatre (West End), London. It starred Woody Harrelson & Kyle MacLachlan.
  • Tales from Hollywood (2001) - Donmar Warehouse, London.
  • Juno and the Paycock (2000) - Gramercy Theatre, New York.
  • The Turn of the Screw (opera) (2000) - Welsh National Opera.
  • Juno and the Paycock (1999)- Donmar Warehouse, London.
  • Macbeth (1999) - UK tour.
  • Into the Woods (1998-9) - Donmar Warehouse, London.
  • How I Learned to Drive (1998) at the Donmar Warehouse, London (UK premiere).
  • An Irish Trilogy, aka Shadows (1998-9) - Royal Shakespeare Company.
  • The Maids (1997) - UK tour.
  • Fair Ladies at a Game of Poem Cards (1996) - Royal National Theatre.
  • Double Helix (1996) - Dublin Theatre Festival/ Peacock Theatre, Dublin.
  • Six Characters in Search of an Author (1995) - Abbey Theatre, Dublin.
  • The Crucible (1995) - Abbey Theatre, Dublin.
  • True Lines (1994) - Dublin Theatre Festival/ Bush Theatre, London
  • One for the Road (1994) - Gate Theatre, Dublin.
  • The Master Builder (1993-4) - Royal Lyceum Theatre, Edinburgh/ Riverside Studios, London. Co-directed with Brian Cox.
  • The Match Seller Girl - Theatre Project Tokyo, Japan.
  • Asylum! Asylum! - Peacock Theatre, Dublin.
  • John Hughdy-Tom John - Druid Theatre Company.
  • Phaedra for the Gate Theatre, Dublin.

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Famous quotes containing the word theatre:

    “The theatre is a gross art, built in sweeps and over-emphasis. Compromise is its second name.”
    —Enid Bagnold (1889–1981)

    “The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
    —David Hare (b. 1947)

    “... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.”
    —Helen Hayes (1900–1993)