Career
Crowley became involved in theatre as a student, seeing it as a stepping stone to directing film. He began directing plays in Dublin in the early 90s, reached London's West End by 1996 and eventually become an associate director at the Donmar Warehouse. In 2000, he directed Come and Go as part of the Beckett on Film series and made his feature debut Intermission (2003) a comedy drama set in Dublin, starring Colin Farrell, Cillian Murphy and Kelly MacDonald, based on a screenplay by playwright Mark O'Rowe.
In May 2005 Crowley, along with Danny Boyle, launched the UK Film Council Development Fund's "25 Words or Less: Director’s Cut" scheme to develop a feature film project, stating that he wanted particularly to "create a contemporary 'rebirth' or transformation story about a man or woman who begins as someone that spreads coldness." In 2007, he reteamed with O'Rowe for the thought-provoking BAFTA-winning drama Boy A, about a young man's return to civilian life after imprisonment for a brutal childhood killing, which was made for British television but was released theatrically in the U.S. the following year.
Additionally, Crowley was Tony nominated for the hugely successful London and Broadway runs of Martin McDonagh's play The Pillowman in 2003 and 2005. He directed Neve Campbell and Cillian Murphy in the West End production of Love Song in 2006-7, and in 2007 filmed a television version of Harold Pinter's Celebration starring Michael Gambon, Stephen Rea and Colin Firth. In 2009 he released another film Is Anybody There? set in 1980s seaside Britain, written by Peter Harness and starring Michael Caine as a grumpy ex-magician. In 2010, Crowley teamed once again with McDonagh for A Behanding in Spokane on Broadway.
Read more about this topic: John Crowley (director)
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)