Work
His books include The Hidden Balance (Cambridge University Press, 1987); The Prism of Piety (Oxford University Press, 1991); Religion in America (coauthor, Prentice Hall, 1992, 1998; 2003; 2010); Jews, Christians, Muslims (coauthor, Prentice Hall, 1998, 2010); Readings in Judaism, Christianity and Islam (coeditor, Prentice Hall, 1998); Emotion and Religion (coauthor, Greenwood, 2000); Business of the Heart: Religion and Emotion in the Nineteenth Century (University of California Press, 2002); Religion and Emotion: Approaches and Interpretations, ed., (Oxford University Press, 2004), French and Spanish Missions in North America, an interactive electronic book (co-author, California Digital Library/University of California, 2004), The Oxford Handbook of Religion and Emotion, (ed., Oxford University Press, 2008); Religion in American History (coeditor, Blackwell, 2010); Religious Intolerance in America: A Documentary History (coauthor, University of North Carolina Press, 2010); and The Spatial Humanities: GIS and the Future of the Humanities (co-editor, Indiana University Press, 2010).
His research on American religious history has focused on its emotional components, instances of religious violence, and the interwovenness of political, social, and religious ideologies. His research since 2000 increasingly has focused on integrating spatial technologies (such as GIS) into the humanities, developing an interdisciplinary approach to the study of space and place, and theorizing ways in which the emergent digital humanities can advance the study of religion and culture when framed by spatial considerations.
Read more about this topic: John Corrigan
Famous quotes containing the word work:
“The moralist and the revolutionary are constantly undermining one another. Marx exploded a hundred tons of dynamite beneath the moralist position, and we are still living in the echo of that tremendous crash. But already, somewhere or other, the sappers are at work and fresh dynamite is being tamped in place to blow Marx at the moon. Then Marx, or somebody like him, will come back with yet more dynamite, and so the process continues, to an end we cannot foresee.”
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“Poetry, whose material is language, is perhaps the most human and least worldly of the arts, the one in which the end product remains closest to the thought that inspired it.... Of all things of thought, poetry is the closest to thought, and a poem is less a thing than any other work of art ...”
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“There are few things more difficult than to appraise the work of a man suddenly dead in his youth; to disentangle “promise” from achievement; to save him from that sentimentalizing which confuses the tragedy of the interruption with the merit of the work actually performed.”
—Ezra Pound (1885–1972)