Career
Conboy is best known for bringing glamorous production values to a show soon after he is hired, such as adding elaborate sets, dimming the lighting, hiring beautiful young actors, and using unique camera angles. These things broke ground on soap operas in the 1970s when Conboy was executive producer of The Young and the Restless.
In 1982 Conboy left The Young and the Restless and became executive producer of the newly created CBS soap opera Capitol. He served as the show's executive producer until the series was cancelled in 1987.
During the last few years of Capitol, he created Casino which was set in Las Vegas. It was not picked up.
Conboy was hired as executive producer of the NBC Daytime soap opera Santa Barbara in 1990; however, the show's ratings did not improve, and he was let go in 1992.
After being out of daytime television for a decade, Conboy was hired as executive producer of the longest-running program in broadcast history, Guiding Light, in late 2002. The show's ratings continued to drop, though, and after a little over a year, Conboy was fired in early 2004.
Read more about this topic: John Conboy
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partners job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)