Revival of Interest in The Twentieth Century
Clare was relatively forgotten during the later nineteenth century, but interest in his work was revived by Arthur Symons in 1908, Edmund Blunden in 1920 and John and Anne Tibble in their ground-breaking 1935 2-volume edition. Benjamin Britten set some of 'May' from A Shepherd's Calendar in his Spring Symphony of 1948, and included a setting of The Evening Primrose in his Five Flower Songs
Copyright to much of his work has been claimed since 1965 by the editor of the Complete Poetry, Professor Eric Robinson though these claims were contested. Recent publishers have refused to acknowledge the claim (especially in recent editions from Faber and Carcanet) and it seems the copyright is now defunct.
The John Clare Trust purchased Clare Cottage in Helpston in 2005, preserving it for future generations. In May 2007 the Trust gained £1.27m of funding from the Heritage Lottery Fund and commissioned Jefferson Sheard Architects to create the new landscape design and Visitor Centre, including a cafe, shop and exhibition space. The Cottage has been restored using traditional building methods and opened to the public. The largest collection of original Clare manuscripts are housed at Peterborough Museum, where they are available to view by appointment.
Since 1993, the John Clare Society of North America has organised an annual session of scholarly papers concerning John Clare at the annual Convention of the Modern Language Association of America.
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Famous quotes containing the words twentieth century, revival of, revival, interest, twentieth and/or century:
“As the twentieth century ends, commerce and culture are coming closer together. The distinction between life and art has been eroded by fifty years of enhanced communications, ever-improving reproduction technologies and increasing wealth.”
—Stephen Bayley (b. 1951)
“Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
—Angela Carter (1940–1992)
“Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.”
—Angela Carter (1940–1992)
“Any effort in philosophy to make the obscure obvious is likely to be unappealing, for the penalty of failure is confusion while the reward of success is banality. An answer, once found, is dull; and the only remaining interest lies in a further effort to render equally dull what is still obscure enough to be intriguing.”
—Nelson Goodman (b. 1906)
“A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful place of composition, the small single unluxurious “retreat” of the twentieth century, the hotel bedroom.”
—Cyril Connolly (1903–1974)
“How easily some light report is set about, but how difficult to bear.”
—Hesiod (c. 8th century B.C.)