Style
Chamberlain's style is sober and objective, illuminated by an eye for the precise detail. The elements of this style are a sometimes artful, sometimes natural, blending of public and private information, of the serious and trivial, reported with care and exactitude and spiced with brisk remarks of his own. He explains and comments on his information, which he lays out as clearly as possible in a logical sequence, adding his own estimations of the value of the information and opinions he reports. His sentences are obviously crafted with care. Chamberlain's letters are those of an educated and cultivated man, who could quote French, Italian and Spanish, and who was familiar with old English and classical literature. Sometimes his humour is formulaic, however, and he was not above sending the same letter to two different correspondents. His figures of speech are not his own invention but taken from general use, often drawing on images of hunting, falconry, horseriding, farming, and seafaring. Chamberlain's style remains constant through the decades of his correspondence.
Read more about this topic: John Chamberlain (letter Writer)
Famous quotes containing the word style:
“The old saying of Buffon’s that style is the man himself is as near the truth as we can get—but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.”
—Samuel Butler (1835–1902)
“The history of all Magazines shows plainly that those which have attained celebrity were indebted for it to articles similar in natureto Berenice—although, I grant you, far superior in style and execution. I say similar in nature. You ask me in what does this nature consist? In the ludicrous heightened into the grotesque: the fearful coloured into the horrible: the witty exaggerated into the burlesque: the singular wrought out into the strange and mystical.”
—Edgar Allan Poe (1809–1849)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another man’s children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)