Style
Chamberlain's style is sober and objective, illuminated by an eye for the precise detail. The elements of this style are a sometimes artful, sometimes natural, blending of public and private information, of the serious and trivial, reported with care and exactitude and spiced with brisk remarks of his own. He explains and comments on his information, which he lays out as clearly as possible in a logical sequence, adding his own estimations of the value of the information and opinions he reports. His sentences are obviously crafted with care. Chamberlain's letters are those of an educated and cultivated man, who could quote French, Italian and Spanish, and who was familiar with old English and classical literature. Sometimes his humour is formulaic, however, and he was not above sending the same letter to two different correspondents. His figures of speech are not his own invention but taken from general use, often drawing on images of hunting, falconry, horseriding, farming, and seafaring. Chamberlain's style remains constant through the decades of his correspondence.
Read more about this topic: John Chamberlain (letter Writer)
Famous quotes containing the word style:
“As we approached the log house,... the projecting ends of the logs lapping over each other irregularly several feet at the corners gave it a very rich and picturesque look, far removed from the meanness of weather-boards. It was a very spacious, low building, about eighty feet long, with many large apartments ... a style of architecture not described by Vitruvius, I suspect, though possibly hinted at in the biography of Orpheus.”
—Henry David Thoreau (18171862)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... Ones style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)
“I concluded that I was skilled, however poorly, at only one thing: marriage. And so I set about the business of selling myself and two children to some unsuspecting man who might think me a desirable second-hand mate, a man of good means and disposition willing to support another mans children in some semblance of the style to which they were accustomed. My heart was not in the chase, but I was tired and there was no alternative. I could not afford freedom.”
—Barbara Howar (b. 1934)