John Carey (critic) - Works

Works

  • The Poems of John Milton (1968) editor with Alastair Fowler
  • Andrew Marvell: A Critical Anthology (1969) editor
  • The Private Memoirs and Confessions of a Justified Sinner by James Hogg (1969) editor
  • John Milton (1969)
  • Complete Shorter Poems of John Milton (1971), revised 2nd edition (1997) editor
  • The Violent Effigy. A Study of Dickens’ Imagination (1973) published in America as Here Comes Dickens. The Imagination of a Novelist. Republished in Faber Finds (2008)
  • John Milton, Christian Doctrine (1971) translator
  • Thackeray: Prodigal Genius (1977) republished in Faber Finds (2008)
  • English Renaissance Studies: Presented To Dame Helen Gardner In Honour Of Her Seventieth Birthday (1979)
  • John Donne: Life, Mind and Art (1981) new revised edition (1990) republished in Faber Finds (2008)
  • William Golding : The Man and His Books (1986) editor
  • Faber Book of Reportage (1987) editor. Published in America as Eyewitness to History, Harvard University Press, (1987)
  • Original Copy : Selected Reviews and Journalism 1969-1986 (1987)
  • John Donne. The Major Works (1990) editor, Oxford Authors, reprinted with revisions (2000) World’s Classics
  • The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880-1939 (1992)
  • Short Stories and the Unbearable Bassington by Saki (1994) editor
  • Faber Book of Science (1995) editor. Published in America as Eyewitness to Science: Scientists and Writers Illuminate Natural Phenomena from Fossils to Fractals, Harvard University Press, (1997)
  • Selected Poetry of John Donne (1998) editor
  • Faber Book of Utopias (2000) editor
  • Pure Pleasure: a Guide to the Twentieth Century's Most Enjoyable Books (2000)
  • George Orwell, Essays (2002) editor
  • Vanity Fair by William Thackeray (2002) editor
  • What Good are the Arts? (2005)
  • William Golding: The Man Who Wrote 'Lord of the Flies' (2009)

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    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)

    “A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
    —Anita Brookner (b. 1938)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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