Composition
To this day, John Beckwith has composed over 130 large works. While the majority of his important works are settings of Canadian texts for voice, he also has many compositions for orchestral and chamber groups, as well as solo instrumental pieces and choral music.
While some of his music explores 20th Century techniques, most of his compositions have themes that connect in some way to historical or regional Canada. He spent much of his time creating arrangements of Canadian folk songs, and has set around 200 of these songs, including Four Love Songs (1969) and Five Songs (1969–70). Most of these were set between the years 1981 and 1991 during his involvement with Music at Sharon (a summer concert series in Ontario) As well as Canadian folk song, many of Beckwith's works are inspired by his experiences with the Canadian environment.
Beckwith collaborated with many Canadian writers when setting tect for voice, including James Reaney, Jay Macpherson, Margaret Atwood, and Dennis Lee. The longest of these collaborations was with James Reaney, which resulted in many of his most admired works, such as Night Blooming Cereus (1953–58), The Shivaree (1965–78), Crazy to Kill (1988–89) and Taptoo! (1994).
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Famous quotes containing the word composition:
“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
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“When I think of God, when I think of him as existent, and when I believe him to be existent, my idea of him neither increases nor diminishes. But as it is certain there is a great difference betwixt the simple conception of the existence of an object, and the belief of it, and as this difference lies not in the parts or composition of the idea which we conceive; it follows, that it must lie in the manner in which we conceive it.”
—David Hume (1711–1776)