John Barleycorn - Origins

Origins

Scholar Kathleen Herbert draws a link between Beowa (a mythical figure stemming from Anglo-Saxon paganism that appears in early Anglo-Saxon royal genealogies whose name means "barley") and the figure of John Barleycorn. Herbert says that Beowa and Barleycorn are one and the same, noting that the folksong details the suffering, death and resurrection of Barleycorn, yet also celebrates the "reviving effects of drinking his blood."

Barleycorn, the personification of the barley, encounters great suffering before succumbing to an unpleasant death. However, as a result of this death alcohol can be produced; therefore, Barleycorn dies so that others may live. Finally his body will be drunk as the alcohol. A popular hymn, "We Plough the Fields and Scatter", is often sung at Harvest Festival to the same tune.

On the other hand, in their notes to the Penguin Book of English Folk Songs (London, 1959), editors A L Lloyd and Ralph Vaughan Williams ponder whether the ballad is "an unusually coherent folklore survival" or "the creation of an antiquarian revivalist, which has passed into popular currency and become 'folklorized'". It is in any case, they note, "an old song", with printed versions dating as far back as the sixteenth century.

Read more about this topic:  John Barleycorn

Famous quotes containing the word origins:

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)

    Grown onto every inch of plate, except
    Where the hinges let it move, were living things,
    Barnacles, mussels, water weeds—and one
    Blue bit of polished glass, glued there by time:
    The origins of art.
    Howard Moss (b. 1922)