History
On March 17, 1868, then a lonely spot in the wilderness, now the site of Stone City, Iowa, John A. Green opened the Champion quarries. For nearly fifty years, the quarries produced steadily, amounting to more than 4.5 billion dollars in sales. 1896 records indicate 1,000 men were employed among the quarries, carving 160,000 loads of stone in a single year with a market value of 3.75 million dollars. In his most productive years (1869-1890s), John Green operated three quarries (known as "Champion 1," "Champion 2," and "John Allen") using nearby Anamosa State Penitentiary labor.
In 1883 Green built a three-story hotel and opera house complex on his estate known as Columbia Hall. It was made of 500,000 tons of stone. The theater offered some of the most well known entertainers of the day. Columbia Hall was purchased in the 1930s and torn down in 1938 to use the stone elsewhere.
In 1920 200 acres (0.81 km2) of the Green Estate was purchased by Frank Nissen. During the summers of 1932 and 1933 the estate became the location of Stone City Art Colony. In 1932, Grant Wood, Edward Rowan, and Adrian Dornbush established the Colony. With little more than $100 and a number of promissory notes based on the success of the art colony they leased 10 acres (40,000 m2) of land on the estate. The parcel of leased land included the Green Mansion, the Ice House and Water Tower. The upstairs portion of the mansion was converted into a dormitory. The rest of the house was used for business offices, kitchen, a sculpture studio and showers for the men. The basement of the ice house was made into a bar called The Sickle and Sheaf where instructor/student Dennis Burlingame tended bar. The upper portion of the water tower was converted into an apartment where Adrian Dornbush lived, called Adrian's Tomb.
Read more about this topic: John A. Green Estate
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“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)
“I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.”
—Eugène Ionesco (b. 1912)
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—Henry David Thoreau (1817–1862)