Johannes Scherr - Work

Work

Scherr was a voluminous writer in the field of historical investigation into the civilization, literature, and manners and customs of his country. His works, characterized by their caustic wit and many peculiarities in point of diction, have largely a political bias, but are characterized by clearness of exposition and careful research. Noteworthy among his books are the following:

  • Deutsche Kultur-und Sitten-Geschichte (“History of German culture and customs,” 1852-1853, new ed. 1897)
  • Schiller und seine Zeit (“Shiller and his times,” 1859, new ed. 1876)
  • Geschichte der deutschen Frauenwelt (“History of German women,” 1860, 4th ed. 1879)
  • Allgemeine Geschichte der Literatur (“A history of literature,” 1851, 9th ed. 1895-1896)
  • Geschichte der englischen Literatur (“History of English literature,” 1854, 2nd ed. 1883)
  • Blücher, seine Zeit und sein Leben (“Life and times of Blücher,” 1862, 4th ed. 1887)
  • Germania. Zwei Jahrtausende deutschen Lebens (“Germania. Two centuries of German life,” 1879, 6th ed. by Hans Prutz 1905)

Scherr also wrote the humorous Sommertagebuch des weiland Dr Gastrosophiae, Jeremia Sauerampfer (1873); as a novelist he published the historical novels, Schiller (1856), and Michel, Geschichte eines Deutschen unserer Zeit (1858) which have passed through several editions.

With the exception of some of his stories (Novellenbuch, 10 vols 1873-1877) Scherr's works have not appeared in a collected edition.

Read more about this topic:  Johannes Scherr

Famous quotes containing the word work:

    The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.
    Jacques Maritain (1882–1973)

    It is fair to assume that when women in the past have achieved even a second or third place in the ranks of genius they have shown far more native ability than men have needed to reach the same eminence. Not excused from the more general duties that constitute the cement of society, most women of talent have had but one hand free with which to work out their ideal conceptions.
    Anna Garlin Spencer (1851–1931)

    [My early stories] are the work of a living writer whom I know in a sense, but can never meet.
    Elizabeth Bowen (1899–1973)