Influence
Thirty years after Fischart's death, his writings, once so popular, were almost entirely forgotten. Recalled to the public attention by Johann Jakob Bodmer and Gotthold Ephraim Lessing, it was only around the end of the 1800s that his works came to be a subject of academic investigation, and his position in German literature to be fully understood.
Fischart studied not only ancient literature, but also the literature of Italy, France, the Netherlands and England. He was a lawyer, a theologian, a satirist and the most powerful Protestant publicist of the counter-reformation period; in politics he was a republican. His satire was levelled mercilessly at all perversities in the public and private life of his time, at astrological superstition, scholastic pedantry, ancestral pride, but especially at the papal dignity and the lives of the priesthood and the Jesuits. He indulged in the wildest witticisms, the most extreme caricature, obscenity, double entrendre; but all this he did with a serious purpose.
As a poet, he is characterized by the eloquence and picturesqueness of his style and the symbolical language he employed. He treats the German language with the greatest freedom, coining new words and turns of expression without any regard to analogy, and displaying, in his most arbitrary formations, erudition and wit.
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