Works
His strong satiric tendency led him into numerous controversies, the chief that with the critic Thomas Thorild, against whom he directed his satire Nytt försök till orimmad vers, where he also sneers at the "raving of Shakespeare" and "the convulsions of Goethe." His lack of humour detracts from the interest of his polemical writings. His poetical works are partly lyrical, partly dramatic; his plays are based on plots by Gustavus III. The songs interspersed in the four operas which they produced together, viz., Gustaf Vasa, Gustaf Adolf och Ebba Brahe, Aeneas i Carthago, and Drottning Kristina, are wholly the work of Kellgren.
From about 1788 a graver feeling pervades Kellgren's verses, owing partly to the influence of Lessing and Goethe, but probably more directly due to his controversy with Thorild. Of his minor poems written before that date the most important are the charming spring-song Vinterns valde lyktar, and the satirical Mina Löjen and Man äger ej snille för det man är galen. The best productions of what is called his later period are the satire Ljusets fiender, the comic poem Dumboms lefverne, the warmly patriotic Kantat d. 1. Jan. 1789, the ode Till Kristina, the fragment Sigwart och Hilma, and the beautiful song Nya skapelsen, both in thought and form the finest of his works.
Among his lyrics are the choicest fruits of the Gustavian age of Swedish letters. His earlier efforts, indeed, express the superficial doubt and pert frivolousness characteristic of his time; but in the works of his riper years he is no mere "poet of pleasure," as Thorild contemptuously styled him, but a worthy exponent of earnest moral feeling and wise human sympathies in felicitous and melodious verse.
Read more about this topic: Johan Henric Kellgren
Famous quotes containing the word works:
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)