Language
Much like the style of the play, the language used in Joe Turner is realistic in nature and depicts that of the dialogue of the day. Each of the characters has a specific rhythm and speech pattern. The dialogue of the characters also reflects the accents that the characters would have had; like Seth's Pennsylvanian twang and Loomis's Southern drawl. And according to Anne Fleche, there is a lack of suspense or surprise in the dialogue and the comfort of the language of the characters encourages the theme of reoccurring, oppressing experiences.
Read more about this topic: Joe Turner's Come And Gone
Famous quotes containing the word language:
“If when a businessman speaks of minority employment, or air pollution, or poverty, he speaks in the language of a certified public accountant analyzing a corporate balance sheet, who is to know that he understands the human problems behind the statistical ones? If the businessman would stop talking like a computer printout or a page from the corporate annual report, other people would stop thinking he had a cash register for a heart. It is as simple as that—but that isn’t simple.”
—Louis B. Lundborg (1906–1981)
“Public speaking is done in the public tongue, the national or tribal language; and the language of our tribe is the men’s language. Of course women learn it. We’re not dumb. If you can tell Margaret Thatcher from Ronald Reagan, or Indira Gandhi from General Somoza, by anything they say, tell me how. This is a man’s world, so it talks a man’s language.”
—Ursula K. Le Guin (b. 1929)
“This is of the loon—I do not mean its laugh, but its looning,—is a long-drawn call, as it were, sometimes singularly human to my ear,—hoo-hoo-ooooo, like the hallooing of a man on a very high key, having thrown his voice into his head. I have heard a sound exactly like it when breathing heavily through my own nostrils, half awake at ten at night, suggesting my affinity to the loon; as if its language were but a dialect of my own, after all.”
—Henry David Thoreau (1817–1862)