Joe Turner's Come and Gone - Language

Language

Much like the style of the play, the language used in Joe Turner is realistic in nature and depicts that of the dialogue of the day. Each of the characters has a specific rhythm and speech pattern. The dialogue of the characters also reflects the accents that the characters would have had; like Seth's Pennsylvanian twang and Loomis's Southern drawl. And according to Anne Fleche, there is a lack of suspense or surprise in the dialogue and the comfort of the language of the characters encourages the theme of reoccurring, oppressing experiences.

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Famous quotes containing the word language:

    The “sayings” of a community, its proverbs, are its characteristic comment upon life; they imply its history, suggest its attitude toward the world and its way of accepting life. Such an idiom makes the finest language any writer can have; and he can never get it with a notebook. He himself must be able to think and feel in that speech—it is a gift from heart to heart.
    Willa Cather (1873–1947)

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
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    Strange goings on! Jones did it slowly, deliberately, in the bathroom, with a knife, at midnight. What he did was butter a piece of toast. We are too familiar with the language of action to notice at first an anomaly: the ‘it’ of ‘Jones did it slowly, deliberately,...’ seems to refer to some entity, presumably an action, that is then characterized in a number of ways.
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