Joe Raposo - Early Life and Career

Early Life and Career

Raposo was born in Fall River, Massachusetts, the only child of Portuguese immigrant parents Joseph Soares Raposo and Maria da Ascenção Vitorino Raposo. He was a graduate of Harvard College, class of 1958, where he was well known for writing the scores for several Hasty Pudding shows.

Raposo worked in musical theater both before and after his work for The Children's Television Workshop and Sesame Street; musical theater was where he first encountered future collaborator Jim Henson. According to Jonathan Schwartz, during the mid-1960s, before Sesame Street, Raposo performed side music in piano bars in Boston to make ends meet, and also served as pianist and music director for a jazz trio working at Boston's WNAC-TV. Upon hearing Raposo's musical skill, Schwartz claims in his autobiography he urged Raposo to give up piano bar playing in Boston and "take his ass to New York". Raposo's decision to take Schwartz's suggestion and move to New York in 1965 eventually led him to his fated meeting with Henson, to Sesame Street, and towards international fame.

Raposo was the musical supervisor and arranger for the original off-Broadway run of You're a Good Man, Charlie Brown, and contributed additional music to that play. He was also responsible for the memorable theme music for New York City television station WABC-TV's The 4:30 Movie; the piece, called "Moving Pictures," was also used for the station's other movie shows, and subsequently by ABC's other owned-and-operated stations.

Read more about this topic:  Joe Raposo

Famous quotes containing the words early, life and/or career:

    Betwixt the black fronts long-withdrawn
    A light-blue lane of early dawn,
    Alfred Tennyson (1809–1892)

    One of the sad realities of being a parent is that the same stuff you know is exciting, educational, and enriching in your child’s life is often messy, smelly and exhausting to deal with.
    Joyce Maynard (20th century)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)