Production
Following Captain Scarlet and the Mysterons, Joe 90 was purposely conceived and developed to be a different kind of Supermarionation series, placing the narrative emphasis less on action, advanced technology and visual effects and more on characterisation and plotlines subscribing more to the spy thriller genre than science fiction. Co-creator Gerry Anderson explained, "The show majored on its characters, which I thought were all very good. The puppets had become so lifelike, I now strongly believed that they could carry the action without the usual massive assistance from futuristic hardware." Explaining his inspiration for the series, Anderson recalls his pre-Supermarionation days when he served as an assistant editor for such films as The Wicked Lady and handled recording tape on a daily basis. While pondering on the blanking and re-use of such tape, Anderson made a connection to the human brain's electrical activities, explaining, "I read somewhere that the human brain is controlled by electrical impulses and how thoughts are stored electronically. I started toying with the story potential of a process that would allow the recording of brain patterns and transferring them to another brain. I was really likening it to magnetic recording, where material could be stored or transferred to another tape." When it came to naming the lead character and, from that, the name of the new series, Anderson recalled that on his previous production, Fireball XL5, the surname "Ninety" had been an early proposal for Colonel Steve Zodiac, and selected it for the schoolboy who would be the next protagonist. The script for the pilot episode was written by Anderson with his wife, Sylvia, as was the custom for each new puppet series that the couple developed.
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Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)