Joaquim Antonio (Callado) Da Silva - Works

Works

  • Adelaide
  • Ai, Que Gozos
  • Aurora
  • Characteristic Whim
  • Capricious
  • Carnival of 1867
  • Celeste
  • Choro
  • The Five Goddesses
  • As It Is Good
  • Conceicao
  • Comforter
  • Cruzes, Minha Prima!
  • The Affected One
  • The Desired One
  • Ermelinda
  • Ernestina
  • The Meyer Family
  • Fancy for Flute
  • Loving Flower
  • The Flowers of the Heart
  • Florinda
  • Hermeneutics
  • Honorata
  • Iman
  • Improvisation
  • Isabel
  • Laudelina
  • Souvenir of the Wharf of Glory
  • Language of the Heart
  • Fanado Iris
  • Characteristic Lundu
  • Manuela
  • Manuelita
  • Maria Carlota
  • Mariquinhas
  • Mimosa
  • I Do Not Say
  • What is Good, is Good!
  • Pagodeira
  • Dangerous
  • Bigger Polka in D
  • Polucena
  • Puladora
  • Wanted For All
  • Kerosene
  • The Return of Chico Triguera
  • Rosinha
  • Salome
  • Saturnine
  • Homesickness for the Wharf of Glory
  • Homesickness for Inauma
  • Saudosa
  • The Seducer
  • Sousinha
  • Sigh
  • Sighs of a Maiden
  • Last Sigh
  • Commercial Union
  • Waltz
  • August Twenty-first
  • June Twenty-first

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Famous quotes containing the word works:

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)

    Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.
    Mary Baker Eddy (1821–1910)

    That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.
    Lydia M. Child (1802–1880)