Career
Lumley spent three years as a photographic model, notably for Brian Duffy by whom she was photographed with her son. She also worked as a house model for Jean Muir. Over forty years later, she participated in another photoshoot - again with her son - for Duffy as part of a retrospective of the photographer's work.
Lumley appeared in an early episode of the Bruce Forsyth Show in 1966. She appeared in a British television advertisement for Nimble bread first screened in 1969.
Lumley did not receive any formal training at drama school. Her acting career began in 1969 with a small role in the film Some Girls Do and as a Bond girl in On Her Majesty's Secret Service; she played the English girl among Blofeld's 'Angels of Death' and had two lines. She went on to have a brief but memorable role in Coronation Street, in which her character turned down Ken Barlow's offer of marriage.
In the Are You Being Served? episode "His and Hers" (season 1; episode 5), she was featured as Miss French, a perfume representative. In the episode "German Week" (season 3; episode 5), she appeared as "German Lady".
She appeared as "Jessica" on the big screen in The Satanic Rites of Dracula, released in the UK on 13 January 1974, which was the last of Hammer Film's Dracula series starring Peter Cushing and Christopher Lee.
She appeared in the TV series Steptoe and Son in the episode "Loathe Story".
Read more about this topic: Joanna Lumley
Famous quotes containing the word career:
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.”
—Ann Oakley (b. 1944)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)