Criticism
Gag Factor 10 is discussed in a piece by Robert Jensen of the School of Journalism at the University of Texas. He includes it as an example of pornography which he alleges is dangerous and denigrates women, as the actresses appear to be in pain in the film.
The Tough Love series is criticized in an article in The Age as an example of pornography that contains sexual violence, and "images that are gratuitous or offensive towards women". The Tough Love films feature, among other things, naked woman having their heads flushed down a toilet bowl. Some of the film covers feature the slogan: "Love should leave marks."
In 2005 JM released Donkey Punch, which features actresses receiving a Donkey Punch. Actress Alex Divine reportedly posted on ExtremeGirlForum.com that "Donkey Punch was the most brutal, depressing, scary scene that I have ever done." Although she initially agreed to be hit on the head during the scene, she claimed to have misunderstood exactly how physical the scene would be.
JM producer Tony Malice has said it does not produce extreme content for extremity's sake, they produce it because there is a demand for this sort of content. Malice says consumer demand for extreme content has been driven by an excess of Vanilla sex content, produced by more mainstream studios.
Read more about this topic: JM Productions
Famous quotes containing the word criticism:
“The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
—Susan Sontag (b. 1933)
“...I wasn’t at all prepared for the avalanche of criticism that overwhelmed me. You would have thought I had murdered someone, and perhaps I had, but only to give her successor a chance to live. It was a very sad business indeed to be made to feel that my success depended solely, or at least in large part, on a head of hair.”
—Mary Pickford (1893–1979)
“Unless criticism refuses to take itself quite so seriously or at least to permit its readers not to, it will inevitably continue to reflect the finicky canons of the genteel tradition and the depressing pieties of the Culture Religion of Modernism.”
—Leslie Fiedler (b. 1917)