Return To The Cup Series
Hensley started the 1992 with the #25 Beverly Racing team, but they were unable to locate permanent sponsorship. They parted ways and Hensley moved to the Cup Series, driving the #66 TropArtic Ford Thunderbird for Cale Yarborough. Hensley ran in 22 races with four top-ten finishes with the group, and won Rookie of the Year honors at the age of 47, due to the other competitors that season running part-time schedules.
He began 1993 in the #52 NAPA/Hurley Limo Ford for Jimmy Means, running the first three races of the year. He then spent most of the season driving the #7 car in place of the deceased Alan Kulwicki per Kulwicki's will. After the team was bought by Geoff Bodine, he drove one race for Richard Petty before closing the season in the #4 Eastman Kodak/Morgan-McClure Motorsports Chevrolet.
Read more about this topic: Jimmy Hensley
Famous quotes containing the words return to the, return to, return, cup and/or series:
“Retirement requires the invention of a new hedonism, not a return to the hedonism of youth.”
—Mason Cooley (b. 1927)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air: the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1858–1924)
“I hate that word. It’s return—a return to the millions of people who’ve never forgiven me for deserting the screen.”
—Billy Wilder (b. 1906)
“In poorer lands
No one touches the water of life.
It has no taste
And though it refreshes absolutely
It is a cup that must also pass
Until everybody
Gets some advantage....”
—John Ashbery (b. 1927)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)