Jim Carter (actor) - Acting Career

Acting Career

He began acting professionally in "the early 1970s".

When asked, "If you hadn't become an actor, what would you have done professionally?" he answered, "I wouldn't have pursued law - I'd actually dropped out of law into English, I'd even changed my course. But when the offer came from this fringe theatre group, the Brighton Combination, to leave university and join them for five quid a week, it was like a door opening, and there wasn't a moment's hesitation. I walked through that door and never looked back. I have never earned a penny from doing anything apart from acting. I have never had another job."

His first paid job for ₤5 a week with free board and lodging was in a play called Gum and Goo by Howard Brenton for the Brighton Combination. Howard Brenton's Gum and Goo was first produced by the Brighton Combination (in Brighton) in 1969.

He appeared in Howard Brenton's Winter Daddykins in July 1968 for the Brighton Combination. It was directed by Barry Edwards, and Carter performed with Fiona Baker and Lily Sue Todd. This is probably the play referred to in Jenny Harris' website that took place on 9 July 1968 in the Brighton Combination's cafe. Jenny Harris was one of the initiators of the Brighton Combination. Jim Carter mentioned her in one interview as one who started the Brighton Combination. She was then head of the National Theatre's education department.

In 1970, he performed in the show Come Together at London's Royal Court Theatre together with the Brighton Combination and the Ken Campbell Roadshow along with other theatre personalities and groups. The Royal Court's Come Together Festival was on the cover page of Plays and Players magazine issue of December 1970. Scenes from this festival are also featured in this issue. The Come Together festival opened at the Royal Court Theatre on 21 October 1970 and contributed to one of the Royal Court's best years. The festival brought the avante-garde like the Brighton Combination and Ken Campbell into the Court. The Brighton Combination presented "The NAB Show", a politically oriented account of the National Assistance Board.

He first worked at the Combination Theatre Company in Brighton. Later he joined the Newcastle University Theatre where he played, among other parts, Estragon in Waiting for Godot. From 1974 to 1976 he toured America with the Ken Campbell Roadshow and on his return joined the Phoenix Theatre in Leicester. In 1977 he joined the National Theatre Company where he appeared as Dom Fiollo (sic) in The Hunchback of Notre Dame at the Cottesloe Theatre. In 1978 he became a member of the Young Vic Company appearing as Stephano in The Tempest, Buckingham in Richard III and Mephistopheles in Faust. In 1978 he went to America to study in a circus school where he learned juggling, unicycling and tightrope walking. From 21 May to 29 June 1980 he played Trebonius/Marullus/Poet in a Julius Caeasar production of Riverside Studios directed by Peter Gill. He performs magic acts in cabarets. The Young Vic's Richard III production in 1978, which featured James Carter with, among others, Bill Wallis and Michael Attwell, was directed by Michael Bogdanov. He also performed in the Young Vic production of Bartholomew Fair in 1978. It was also directed by Michael Bogdanov.

He was a member of The Madhouse Company of London, a comedy troupe which performed in Boston in the 1970s; together with the late Marcel Steiner (1931-1999), Marc Weil and Tommy Shands. Ken Campbell was also associated with the group. The Madhouse Co. was an offshoot of the Ken Campbell's Roadshow that came to New York and Boston. It broke up eventually and Steiner and Carter returned to England. The Madhouse Co. was in Cambridge, Massachusetts. in August 1976. The Madhouse Company of London was mentioned and its shows advertised and reviewed in several New York magazine issues from April 1974 to March 1975. Marc Weil created The Madhouse Company of London in 1973.

In June to August 2005, he appeared in The President of an Empty Room at the National Theatre (written by Stephen Knight and directed by Howard Davies). When he did this he had not done theatre in 14 years. He considers his appearance in Richard Eyre's 1982 National Theatre revival of Guys and Dolls a significant moment. It was when he met his future wife, Imelda Staunton, who also appeared in this play. He considers Richard Eyre and Howard Davies two of his favourite directors. He was with the Brighton Combination still when it moved to London and opened a theatre called the Albany in Deptford. In his own words: "The Brighton Combination moved to London and started a theatre called the Albany in Deptford, and I was with them then."

In the early 1970s, the Brighton Combination, a touring fringe theatre group, became resident in the Albany Institute in Deptford, South East London. This was considered one of the great achievements of the Albany's then director Paul Curno. By fusing community work and the arts, Director Paul Curno and "The Combination" transformed the Albany's fortunes. This fusion still drives the Albany to this day. The Brighton Combination Company moved to become resident at the Albany in SE London in 1972 with a brief to set up community action and arts development projects. It combined artistic and cultural works with social activism.

He performed in the Lyric Theatre in Hammersmith, London in Jean Cocteau's The Infernal Machine (with Maggie Smith and with Simon Callow directing, 1986-87). Photos and a review of this play appeared in Plays and Players magazine in January 1987.

He also performed in William "Bill" Bryden's The Passion at the National Theatre in 1985. Performed in The Mysteries: The Nativity, The Passion and Doomsday at the Cottesloe Theatre for the National Theatre in 1984 and 1985. Both performances were directed by Bill Bryden.

He appeared in Doug Lucie's Fashion in May-June 1990 at the Tricycle Theatre, directed by Michael Attenborough.

In the Royal Shakespeare Company's (RSC)The Wizard of Oz production, wife Imelda Staunton played Dorothy while he was the Cowardly Lion. Considers playing a baddie dressed in black in the cowboy film Rustlers' Rhapsody filmed in southern Spain one of the top highlights of his career. The Wizard of Oz was directed by Ian Judge; it opened on 17 December 1987 at the RSC's Barbican Theatre. It played in repertory through 27 February 1988.

His National Theatre performances (as James Carter):

• 1. as Frollo in The Hunchback of Notre Dame (Cottesloe Theatre, 20 December 1977 – 14 January 1978)
• 2. as Daui a fugitive/Guard/Second Cook in The Romans in Britain (Olivier Theatre, 10 October 1980 – 24 March 1981)
• 3. as Nawadaha the storyteller in Hiawatha (Olivier Theatre, 25 November 1980-December 1983)
• 4. as Henry Straker in Man and Superman (Olivier Theatre, 17 January-October 1981)
• 5. as Rebolledo a soldier in The Mayor of Zalamea (Cottesloe and Olivier Theatre, 4 August 1981(opening night at Cottesloe), Jim Carter performed at the Olivier, December 1981-July 1982)
• 6. as Chorus in The Oresteia (Olivier Theatre, 20 November 1981- )
• 7. as Big Julie in Guys and Dolls (Olivier Theatre, 26 February 1982-October 1983)
• 8. as Hitler/SS Man Muller in Schewyk in the Second World War (Olivier Theatre, 16 September 1982-March 1983)
• 9. as Don Jose, the cigar taster in The President of an Empty Room (Cottesloe Theatre, 28 June 2005-27 August 2005)
• He was magic adviser, not one of the performers, in The Cherry Orchard (Cottesloe Theatre, 3 December 1985- )

His Royal Shakespeare Company (RSC) performances include:

• 1. as the Judge in The Balcony (Barbican Theatre, 15 July 1987- )
• 2. as Zekel, Cowardly Lion in The Wizard of Oz (Barbican Theatre, 17 December 1987 – 27 February 1988)

Summary of James "Jim" Carter's stage works:

• 1. Winter Daddykins (for the Brighton Combination, July 1968)
• 2. Gum and Goo (for the Brighton Combination, 1969)
• 3. Come Together festival (for the Brighton Combination, Royal Court Theatre, October 1970- )

• 4. Waiting for Godot (for Newcastle University Theatre, ???)
• 5. The Madhouse Company of London shows (offshoot of the Ken Campbell Roadshow) in New York and Massachusetts, 1974-76
• 6. The Hunchback of Notre Dame (for the National Theatre, Cottesloe Theatre, December 1977-January 1978)
• 7. The Tempest (for the Young Vic Company, 1978)
• 8. Richard III (for the Young Vic Company, 1978)
• 9. Faust (for the Young Vic Company, 1978)
• 10. Bartholomew Fair (for the Young Vic Company, 1978)
• 11. Julius Caesar (Riverside Studios, May-June 1980)
• 12. The Romans in Britain (for the National Theatre, Olivier Theatre, October 1980-March 1981)
• 13. Hiawatha (for the National Theatre, Olivier Theatre, November 1980-December 1983)
• 14. Man and Superman (for the National Theatre, Olivier Theatre, January-October 1981)
• 15. The Mayor of Zalamea (for the National Theatre, Olivier Theatre, December 1981-July 1982)
• 16. The Oresteia (for the National Theatre, Olivier Theatre, November 1981)
• 17. Guys and Dolls (for the National Theatre, Olivier Theatre, February 1982-October 1983)
• 18. Schweyk in the Second World War (for the National Theatre, Olivier Theatre, September 1982-March 1983)
• 19. The Mysteries: The Nativity, The Passion, and Doomsday (for the National Theatre, Cottesloe Theatre, 1984-85)
• 20. The Infernal Machine (Lyric Hammersmith, 1986-87)
• 21. The Balcony (for the Royal Shakespeare Company, Barbican Theatre, July 1987)
• 22. The Wizard of Oz (for the Royal Shakespeare Company, Barbican Theatre, December 1987-February 1988)
• 23. Fashion (Tricycle Theatre, May-June 1990)
• 24. The President of an Empty Room (for the National Theatre, Cottesloe Theatre, June-August 2005)