Jill Thompson - Career

Career

Jill Thompson illustrated The Sandman story arc Brief Lives (issues 41-49), and the individual Sandman issue "The Parliament of Rooks" (issue 40) in the Fables and Reflections collection. Within this tale she created the immensely popular characters of Li'l Death and Li'l Morpheus, childlike versions of two of the Endless based on classic comic characters Sugar and Spike; these (together with their siblings, the other five of the "Little Endless") were later given their own book.

She has since written and illustrated several stories featuring the Sandman characters; these include the manga-style book Death: At Death's Door (one of DC's best selling books of 2003) set during the events of Season of Mists, and The Little Endless Storybook, a children’s book using childlike versions of The Endless.

In 2005 Thompson wrote and illustrated the Dead Boy Detectives, an original graphic novel based on two minor characters from Season of Mists.

Several comic book characters have been modeled after Thompson's likeness.

Also Jill dresses WWE Superstar Daniel Bryan

Read more about this topic:  Jill Thompson

Famous quotes containing the word career:

    Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.
    Lewis H. Lapham (b. 1935)

    Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.
    Douglas MacArthur (1880–1964)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)