Jill Bennett (British Actress) - Theatre Career

Theatre Career

  • Shakespeare Memorial Theatre, Stratford upon Avon, 1949 season
  • Titania in A Midsummer Night’s Dream, St Martin's Theatre, December 1949
  • Anni in Captain Carvallo, St. James' Theatre, August 1950
  • Iras in Caesar and Cleopatra and Antony and Cleopatra, St. James' Theatre, May 1951 (opposite Laurence Olivier and Vivien Leigh)
  • Helen Eliot in The Night of the Ball, New Theatre, January 1955
  • Masha in The Seagull, Saville Theatre, August 1956
  • Mrs. Martin in The Bald Prima Donna, Arts Theatre, November 1956
  • Sarah Stanham in The Touch of Fear, Aldwych Theatre, December 1956
  • Isabelle in Dinner With the Family, New Theatre, December 1957
  • Penelope in Last Day in Dreamland and A Glimpse of the Sea, Lyric Hammersmith, November 1959
  • Susan Roper in Breakfast for One, Arts Theatre, April 1961
  • Feemy Evans in The Showing Up of Blanco Posnet, and Lavinia in Androcles and the Lion, Mermaid Theatre, October 1961
  • Estelle in In Camera (Huis Clos), Oxford Playhouse, February 1962
  • Ophelia in Castle in Sweden, Piccadilly Theatre, May 1962
  • Hilary in The Sponge Room, and Elizabeth Mintey in Squat Betty, Royal Court, December 1962
  • Isabelle in The Love Game, New Arts Theatre, October 1964
  • Countess Sophia Delyanoff in A Patriot for Me, Royal Court, June 1965
  • Anna Bowers in A Lily in Little India, Hampstead Theatre Club, November 1965
  • Imogen Parrott in Trelawney of the Wells, National Theatre at the Old Vic, August 1966
  • Katerina in The Storm, National Theatre at the Old Vic, October 1966
  • Pamela in Time Present, Royal Court, May 1968 at the Duke of York’s Theatre, July 1968 (for which she won the Variety Club and Evening Standard Awards for Best Actress)
  • Anna Bowers in Three Months Gone at the Royal Court in January 1970; at the Duchess Theatre in March 1970,
  • Frederica in West of Suez, Royal Court, August 1971; Cambridge Theatre, October 1971
  • Hedda in Hedda Gabler, Royal Court, June 1972
  • Amanda in Private Lives (briefly taking over for Maggie Smith), Queen's Theatre, June 1973
  • Leslie Crosbie in The Letter, Palace Theatre, Watford, July 1973
  • Isobel Sands in The End of Me Old Cigar, Greenwich Theatre, January 1975
  • Fay in Loot, Royal Court, June 1975
  • Sally Prosser in Watch It Come Down, National Theatre at the Old Vic, February 1976 at the National Theatre at the Old Vic; March 1976 at the Lyttelton Theatre
  • Mrs. Shankland and Miss Railton-Bell in Separate Tables, Apollo Theatre, January 1977
  • Mrs. Tina in The Aspern Papers (1978); The Queen in The Eagle Has Two Heads (1979); and Maggie Cutler in The Man Who Came to Dinner (1979); all at the Chichester Festival Theatre
  • Gertrude in Hamlet, Royal Court, April 1980
  • Alice in The Dance of Death, Royal Exchange Manchester, October 1983
  • Janine in Infidelities, at the Edinburgh Festival Fringe in August 1985; at the Donmar Warehouse in October 1985; and revived at the Boulevard Theatre in June 1986
  • Queen Elizabeth I in Mary Stuart, Edinburgh Festival, August 1987
  • Miss Singer in Exceptions, New End Theatre, Hampstead, July 1988
  • Anne in Poor Nanny, King's Head Theatre, March 1989

Read more about this topic:  Jill Bennett (British Actress)

Famous quotes containing the words theatre and/or career:

    Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
    John Berger (b. 1926)

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)