World War I
During World War I she was a nurse in France and then with the American Friends Service Committee. She had a nervous breakdown in 1920 following her war experiences. She received medical advice not to paint, but Lewis suspected that it was her modern style that was causing the doctors concern, and wrote to her that "the best possible distraction for you would be to paint".
She was at the centre of the London avant-garde world, acquainted with both T. S. Eliot and Ezra Pound, with her poems and illustrations being published, including in the Vorticist Blast magazine. In the 1930s she did portraits of poets, including Dylan Thomas and exhibited with Charles Ginner and Barbara Hepworth in the London Group, as well as with Ivon Hitchens and Ben Nicholson in the Seven and Five Society, having joined both these groups in 1926.
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