Start of Career
Up to this point, Fuller had never worked professionally as a musician, but had certainly been exposed to music, and had learned to play guitar and picked up quite a number of songs: country blues, work songs, ballads, spirituals and instrumentals. And he had carried his guitar with him and played for money by passing the hat. When he decided to try to work as a professional, he found it hard to find other musicians to work with: thus his one-man band act was born.
Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles, and in 1958 his recording career started with his first album on the Good Time Jazz record label. Fuller's instruments included 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella, several of which could be played simultaneously, particularly with the use of a head-piece to hold the harmonica and kazoo, often at the same time.
Much later, the Grateful Dead covered a few of Fuller's songs, including "The Monkey and the Engineer" and "Beat It on Down the Line". Others who have covered his work include Hot Tuna, Peter, Paul and Mary, Glenn Yarbrough, Eric Clapton, Paul McCartney, and Bob Dylan, on his debut in 1962.
Read more about this topic: Jesse Fuller
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