Life and Career
Jerzy Stuhr's ancestors, Leopold Stuhr and Anna Thill, migrated to Kraków from Mistelbach, Austria, shortly after their wedding in 1879.
Having obtained a degree in Polish literature from the Jagiellonian University in 1970, Stuhr spent the next two years studying acting at the Academy for the Dramatic Arts in Kraków (Państwowa Wyższa Szkoła Teatralna often shortened to PWST), where he became a professor.
From the early 1970s, Stuhr appeared in Polish theatre and worked in film productions, making his debut with the role of Beelzebub in Adam Mickiewicz's Dziady directed by Konrad Swinarski.
Having met film director Krzysztof Kieślowski in the mid-1970s, he continued to work with him until Kieślowski's death in 1996. To an international audience, Stuhr may be best known for his minor role as thick-witted hairdresser Jurek in Kieślowski's Three Colors: White, in which he starred alongside Julie Delpy, Janusz Gajos, and Zbigniew Zamachowski. In Poland and nearby countries, he is probably best known for the part of Max in Juliusz Machulski's 1984 dystopian cult comedy Seksmisja (one of the most popular Polish movies), and – to a younger audience – for lending his voice to the talking donkey in the dubbed Polish version of the Shrek trilogy. Other important films include Kieślowski's The Scar (Blizna, 1976), Camera Buff (Amator, 1979) and Part 10 of The Decalogue series (1988), Machulski's Kingsize (1987), Kiler (1997) and Kiler 2 (1999), and Zanussi's Life for Life (1988). Stuhr also worked with Polish directors Agnieszka Holland, Andrzej Wajda and Krzysztof Zanussi.
In 1985, Stuhr made his own directorial debut staging the Polish version of Patrick Süskind's play The Double Bass, in which he also played the (only) role. In spite of the production's success, it was not until 1995 that Stuhr began directing films as well, with List of Adulteresses (Spis cudzołożnic) based on a novel by Jerzy Pilch. Critics favourably compared his next effort Love Stories (Historie miłosne, 1997) to Kieślowski's work. The film consists of four unconnected episodes with Stuhr playing the lead role in each. Further movies directed by Stuhr are Big Animal (Duże zwierzę, 2000 – based on a Kieślowski screenplay) and Tomorrow's Weather (Pogoda na jutro, 2003). For these two, Stuhr employed the Polish alternative rock band Myslovitz who composed the title tracks and also had walk-on roles in the latter.
From 1990 to 1997, and again from 2002, Stuhr held the position of rector at the Kraków National Drama School, where he had learned his craft two decades before. He formally obtained the title of professor in Dramatic Arts in 1994.
Stuhr's son Maciej (born 1975) is in the process of establishing himself as an actor in his own right, having played alongside his father in Kieślowski's Decalogue X (1988), Pogoda na jutro (2003), and Love Stories (1997). His daughter, Marianna (born 1982) is an artist, painter.
He is the chairman of the board of supervisors at Cracow’s Józef Tischner Children’s Hospice and has been a supporter of this foundation since 2004.
He has worked with RMF FM and has also written books such as Escape forward! (Ucieczka do przodu !) and The Stuhrs: Family Stories' (Stuhrowie: Historie Rodzinne).
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