Career
A native of Williamsburg, Brooklyn, Nolan joined The New York Dolls in the autumn of 1972 to replace Billy Murcia, who had died of asphixiation in a failed attempt to revive him from a drug overdose while on tour in England, early in the band's career. The Dolls got a record deal with Mercury Records in 1973. Nolan also was a childhood friend of Peter Criss (KISS' original drummer) who auditioned for The New York Dolls at the same time. He previously played with Wayne (Jayne) County's "Queen Elizabeth", Billy Squier's "Kicks" and was the only male member of Suzi Quatro's Detroit-based band Cradle. Jerry was drumming for the power trio "Shaker", a New York band that frequently opened for the Dolls, when he was recruited to replace Billy. Nolan played on the Dolls´ first two albums (New York Dolls and Too Much Too Soon).
After much internal fighting and a short stint under the helm of future Sex Pistols manager Malcolm McLaren, Nolan left the Dolls together with Johnny Thunders in the spring of 1975. The two then placed a call to bassist Richard Hell, formerly of the Neon Boys and Television, to form The Heartbreakers. Soon, Walter Lure was brought into the fold and Hell was replaced by Billy Rath. In 1976, The Heartbreakers were invited to tour with the Sex Pistols on their infamous "Anarchy In The U.K." tour which also included support from The Clash and The Damned. Soon after the tour, The Heartbreakers took up permanent residence in London and played many shows throughout 1976-1977. Nolan quit the band soon after they released their only studio album, L.A.M.F. in October 1977 because he felt the album was poorly mixed. Nolan still continued to play with The Heartbreakers, but as a "hired drummer" until the end of 1977.
In early 1978, Nolan joined The Idols led by Steve Dior and Barry Jones. The Idols with ex-Chelsea bassist Simon Vitesse recorded four demos in London for Track Records and then toured America later in the year with Arthur Kane on bass. The Idols also released a single including "You" b/w "The Girl That I Love" in 1978 on Ork Records. Nolan also filled in on drums for Sid Vicious' ill-fated New York City solo performances in September of 1978 along with Arthur Kane and Steve Dior also backing up Vicious. Mick Jones from The Clash also joined Vicious' backing band filling in on guitar on the last live date. The live recordings from these shows can be found on "Sid Sings". The Idols continued to play shows up and down the east coast but broke up in 1979, the last line up consisting of Jerry Nolan, Steve Dior, Barry Jones, Arthur Kane, and Walter Lure. Nolan later joined back up with Steve Dior and Barry Jones in their next band, The London Cowboys in the early 80's which also included Glen Matlock from The Sex Pistols. Jerry didn't play drums on The London Cowboys two albums "Animal Pleasure" (1982), and Tall In The Saddle (1984), but he did play drums on their live album "On Stage" (1986).
While touring with Johnny Thunders in 1982, Nolan met Charlotte (Lotten) Nedeby, whom he soon married. Nolan took up residence in Sweden, off and on, through the 1980s. In Sweden playing drums and singing lead vocals he recorded a solo single with the Teneriffa Cowboys of an unreleased Heartbreakers' song, "Take A Chance With Me" and a new song, "Pretty Baby" released in 1982 on Tandan Records. Other songs recorded with the Teneriffa Cowboys throughout 1982-1983 include Chuck Berry's "Havana Moon" which was released on "Sword - The Best In Scandinavian Rock" album in 1985 on Sword/Tandan Records and "Countdown Love" which was released on a posthumous split single with Johnny Thunders in 1997 on Sucksex Records. The other co-singer and guitarist of Teneriffa Cowboys, Michael Thimren (who also occasionally played with Johnny Thunders from 1983-1988) contributed the songs "Lickin' My Boots" and "Notorious Liar" along with other unreleased songs from the 1982-1983 period. Also in 1983, Nolan recorded a single with the Swedish band Pilsner playing drums and singing lead vocals on "I Refuse (To Live In The U.S.A.)" and "Sleep With You". He was also a member of the short-lived Ugly Americans with fellow ex-Doll Sylvain Sylvain. Johnny Thunders also moved to Sweden with his girlfriend, Susanne, and their collaboration continued periodically, until Thunders' death in 1991.
Nolan outlived his long-time friend by only a few months. During that period he was working on a recording project with singer/songwriter Greg Allen and bassist Chicago Vin Earnshaw. In late 1991, while Nolan was being treated for bacterial meningitis and bacterial pneumonia at St. Vincent's Hospital in New York, he suffered a stroke and went into a coma from which he never recovered. He died on January 14, 1992, spending his final weeks on a life support system. He was buried at Mount Saint Mary's Cemetery in Flushing, New York.
Read more about this topic: Jerry Nolan
Famous quotes containing the word career:
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)