Jenny Seagrove - Theatre

Theatre

Jenny Seagrove's theatre work includes the title role in Jane Eyre at Chichester Festival Theatre (1986); Ilona in The Guardsman at Theatr Clwyd (1992); and Bett in King Lear in New York, again at Chichester (1992).

She played opposite Tom Conti in Present Laughter at the Globe Theatre (1993); Annie Sullivan in The Miracle Worker at the Comedy Theatre (1994); Dead Guilty with Hayley Mills at the Apollo Theatre (1995); Hurlyburly for the Peter Hall Company when the production transferred from the Old Vic to the Queen's Theatre (1997); co-starred with Martin Shaw in the Parisian thriller Vertigo (Theatre Royal Windsor October 1998) and then with Anthony Andrews (also Windsor,1998).

In 2000 she appeared in Brief Encounter at the Lyric Theatre; followed by Neil Simon's The Female Odd Couple at the Apollo (2001). Again at the Lyric Theatre in 2002 she played the title role in Somerset Maugham's The Constant Wife, followed by a revival of David Hare's The Secret Rapture in 2003, and The Night of the Iguana two years later in 2005.

Coming to the West End from a UK tour, she played Leslie Crosbie in Maugham's The Letter at Wyndham's Theatre (2007), again co-starring with Anthony Andrews.

In December 2007, she played Marion Brewster-Wright in the Garrick Theatre revival of Alan Ayckbourn's dark, three-act comedy Absurd Person Singular.

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Famous quotes containing the word theatre:

    Compare ... the cinema with theatre. Both are dramatic arts. Theatre brings actors before a public and every night during the season they re-enact the same drama. Deep in the nature of theatre is a sense of ritual. The cinema, by contrast, transports its audience individually, singly, out of the theatre towards the unknown.
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    I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.
    Robert Benchley (1889–1945)

    Make them laugh, make them cry, and back to laughter. What do people go to the theatre for? An emotional exercise.... I am a servant of the people. I have never forgotten that.
    Mary Pickford (1893–1979)