Theatre
Ellison had a run in the London West End theatre version of the musical Chicago in 2004 at the Adelphi Theatre, and returned from 10 July to 9 August 2006 again playing the leading role of "Roxie Hart", this time at the Cambridge Theatre. Ellison was actually supposed to finish on 12 August, but was forced to pull out three days early due to a knee injury. Ellison subsequently toured Britain in Chicago from 25 September 2006 until 5 May 2007. On 1 October 2007, Ellison joined the cast of a revival of Boeing Boeing at the Comedy Theatre, London, playing the part of Gloria, an American TWA air stewardess.
On 5 December 2007, she featured in a 10th Anniversary Gala performance of Chicago at the Cambridge Theatre alongside a galaxy of stars and on 16 December 2007, she played "Angel" in Liverpool Nativity, a contemporary retelling of the Christmas story for BBC Three which was performed live from the streets of the city.
Ellison featured in the Liverpool Empire Theatre's pantomime Cinderella for 2008, opposite Cilla Black and Les Dennis.
She also played Beth in Jeff Wayne's Musical Version of The War of the Worlds at major arenas of the UK in June 2009.
Ellison appeared in the July - October 2010 UK tour of the stage adaption of the film Calendar Girls.
In 2010, she appeared at the Regent Theatre, Stoke-on-Trent, in their pantomime 'Robinson Crusoe'.
She is currently touring as 'Paulette' in the UK production of Legally Blonde The Musical.
Read more about this topic: Jennifer Ellison
Famous quotes containing the word theatre:
“This visible world is wonderfully to be delighted in, and highly to be esteemed, because it is the theatre of God’s righteous Kingdom.”
—Thomas Traherne (1636–1674)
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (1844–1923)
“The theatre is the best way of showing the gap between what is said and what is seen to be done, and that is why, ragged and gap-toothed as it is, it has still a far healthier potential than some poorer, abandoned arts.”
—David Hare (b. 1947)