Background
In the late 1950s, the project began as an account of actress Laurette Taylor's early life and career, based on a biography written by her daughter Marguerite Courtney. While it was still in its early stages, a non-musical adaptation of the book starring Judy Holliday closed after a week in New Haven. Undaunted, the creative team forged ahead, tailoring what was then called Blood and Thunder specifically for the talents of Mary Martin who, with her husband Richard Halliday, agreed to produce the show with Cheryl Crawford. Martin and Halliday financed half of the $500,000 production costs and Crawford and Alan Pakula the other half.
S. N. Behrman used Taylor's son Dwight's biography as a source for the musical's book, which centered on Taylor's husband Charles and the various women in his life, all portrayed by Martin. His book ultimately was abandoned, and Shulman was called in to write a new version, which fictionalized the story and its characters. The end result bore no resemblance to either the original concept or Taylor.
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