Selected Theatre Appearances
| Year | Play | Role | Theatre |
|---|---|---|---|
| 1964 | Henry IV Part 1 by William Shakespeare | Richard Scroop, Archbishop of York | Royal Shakespeare Theatre, Stratford-upon-Avon |
| 1965 | Hamlet by William Shakespeare | Marcellus/Ambassador from England | Aldwych Theatre, London |
| 1969/71/72 | Twelfth Night by William Shakespeare | Andrew Aguecheek | Royal Shakespeare Theatre, Stratford-upon-Avon |
| 1971 | Toad of Toad Hall by A. A. Milne | Ratty | Royal Shakespeare Theatre, Stratford-upon-Avon |
| 2002 | Henry V - The Battle of Agincourt by William Shakespeare, adapted by John Barton | Chorus | Various, including King Edward VI School |
| 2006 | Merry Wives - The Musical by William Shakespeare | Robert Shallow | Royal Shakespeare Theatre, Stratford-upon-Avon |
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Famous quotes containing the words selected, theatre and/or appearances:
“The final flat of the hoe’s approval stamp
Is reserved for the bed of a few selected seed.”
—Robert Frost (1874–1963)
“The poem of the mind in the act of finding
What will suffice. It has not always had
To find: the scene was set; it repeated what
Was in the script.
Then the theatre was changed
To something else. Its past was a souvenir.”
—Wallace Stevens (1879–1955)
“What I often forget about students, especially undergraduates, is that surface appearances are misleading. Most of them are at base as conventional as Presbyterian deacons.”
—Muriel Beadle (b. 1915)