Career
Born in New York City, the daughter of Joseph E. Murray (a billboard advertising salesman) and Marie Stapleton Murray (a singer), she attended Hunter College. She began her career in 1941 in summer stock, aged 18, and made her New York debut in American Gothic, an Off-Broadway play.
She was featured on Broadway in several hit musicals, such as Damn Yankees, Funny Girl, Bells Are Ringing, and Juno. She guest starred in many television series, including the role of Rosa Criley in the 1963 episode "The Bride Wore Pink" on NBC's medical drama about psychiatry, The Eleventh Hour.
Her early work on television included roles in Starlight Theater, Robert Montgomery Presents, Lux Video Theater, Woman with a Past, The Philco-Goodyear Television Playhouse, Dr. Kildare, The Patty Duke Show, Car 54 Where Are You?, Dennis the Menace and Naked City. On an episode of The Defenders broadcast on 1 December 1962, Jean Stapleton guest-starred with future television husband Carroll O'Connor.
In 1979, she appeared in the original Canadian production of the musical Something's Afoot, which was later broadcast on Showtime. In 1982, Stapleton portrayed Eleanor Roosevelt in a television production of the First Lady's later life. In 1998, and for a few years afterward, Stapleton took her "Eleanor" characterization to live theaters, now adapted as a one-woman show. She co-starred in Bagdad Cafe with Whoopi Goldberg, the television series based on the movie of the same name.
Her awards for All in the Family include three Emmys and two Golden Globes. She was offered a role in the feature film Willy Wonka & the Chocolate Factory as Mrs. Teevee (the role went to Nora Denney), but she declined because it coincided with the production of the All in the Family pilot.
Stapleton appeared in made-for-TV movies and feature films such as Klute, the comedy Cold Turkey and the Faerie Tale Theatre episode "Cinderella" as the fairy godmother and as the Giant's Wife in "Jack and the Beanstalk". She also had a recurring role on television's Scarecrow and Mrs. King as a British spy. She appeared in the educational series Beakman's World as Beakman's mother, "Beakmom".
In 1996, she played opposite John Travolta, portraying the eccentric rooming house owner, Pansy Milbank in Nora Ephron's hit Michael. Stapleton also appeared in the 1998 feature You've Got Mail as a close co-worker in whom Meg Ryan's character confides. Stapleton appeared on the CBS television series Touched by an Angel as an angel named Emma.
In the 1990s, Stapleton played the role of Mrs. Piggle Wiggle, in a children's series of the same name based on the books by Betty MacDonald. The show was created by Shelley Duvall, and lasted only one season. The series is available on video.
In 1996, she appeared in the Everybody Loves Raymond episode "I Wish I Were Gus" playing Ray's Aunt Alda. That same year, she also appeared in the Murphy Brown episode "All in the Family" playing Miles's grandmother, Nana Silverberg. Making a debut in the world of video games, Stapleton was the voice of Grandma Ollie on KinderActive, Turner Pictures, and New Line Cinema's venture "Grandma Ollie's Morphabet Soup." The game won a Teacher's Choice Award from Learning Magazine. In 1998, Stapleton guest-starred in the Jean Smart sitcom, Style & Substance, playing a former television chef who has since "lost her marbles."
Stapleton voiced John Rolfe's maid, Mrs. Jenkins in Disney's 1998 direct-to-video animated film Pocahontas II: Journey to a New World.
She reunited on-camera with O'Connor on Donny and Marie Osmond's talk show on April 24th, 2000, a little over a year before O'Connor's death. When the show's hosts asked her to perform in Edith Bunker's voice, she jokingly told them that she only does so "for pay". Stapleton later told the Archive of American Television that she does not like to replicate voices and mannerisms of characters whom she's created in casual settings, as she feels that it trivializes and detracts from the characters as originally created.
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Famous quotes containing the word career:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)