Jean Raspail - Works

Works

  • Terre de feu - Alaska (Land of Fire - Alaska) (1952) - adventure writing
  • Terres et Peuples Incas (Inca Lands and Peoples) (1955)
  • Le Vent des Pins (1958), translated as Welcome Honorable Visitors: a novel by Jean Stewart (Putnam, 1960)
  • Terres Saintes et Profanes (Lands Holy and Profane) (1960)
  • Les Veuves de Santiago (The Widows of Santiago) (1962)
  • Hong-Kong, Chine en sursis (Hong Kong, A Reprieve for China) (1963)
  • Secouons le cocotier (Let's Shake the Coconut Tree) (1966) - travel writing
  • Secouons le cocotier : 2, Punch Caraïbe (Let's Shake the Coconut Tree 2: Caribbean Punch)(1970) - travel writing
  • Bienvenue Honorables Visiteurs (le Vent des pins) (Welcome Honorable Visitors) (1970) - novel
  • Le Tam-Tam de Jonathan (Jonathan's Drum) (1971) - nouvelles
  • L'Armada de la Dernière Chance (Last-Chance Armada) (1972)
  • Le Camp des Saints (1973), translated as The Camp of the Saints by Norman Shapiro (Scribner, 1975; The Social Contract Press, 1995, ISBN 1-881780-07-4) - novel
  • La Hache des Steppes (The Steppes Axe) (1974)
  • Journal Peau Rouge (Red Skin Journal) (1975)
  • Nuage Blanc et les Peaux-Rouges d'aujourd'hui (White Cloud and the Redskins of Today) (1975) - by Aliette and Jean Raspail
  • Le Jeu du Roi (The King's Game) (1976) - novel
  • Boulevard Raspail (Raspail Boulevard) (1977) - columns
  • Les Peaux-rouges aujourd'hui (Redskins Today) (1978)
  • Septentrion (North) (1979) - novel
  • Bleu caraïbe et citrons verts : mes derniers voyages aux Antilles (Caribbean Blue and Green Lemons: My Last Trips to the Antilles) (1980)
  • Les Antilles, d'île en île (The Antilles, From Island to Island) (1980)
  • Moi, Antoine de Tounens, roi de Patagonie (I, Antoine of Tounens, King of Patagonia) (1981) - novel
  • Les Hussards : histoires exemplaires (The Hussars: Representative Stories) (1982)
  • Les Yeux d'Irène (Irene's Eyes) (1984) - novel
  • Le Président (The President) (1985) - novel
  • Qui se souvient des hommes... (1986), translated as Who Will Remember the People...: A Novel by Jeremy Leggatt (Mercury House, 1988, ISBN 0-916515-42-7) - novel. UK paperback published under alternative title The People.
  • L'Île bleue (1988), translated as Blue Island: A Novel by Jeremy Leggatt (Mercury House, 1991, ISBN 0-916515-99-0)
  • Pêcheurs de Lune (Moon Fishers) (1990)
  • Sire (Sire) (1990) - novel
  • Vive Venise (Long Live Venice) (1992) - by Aliette and Jean Raspail
  • Sept cavaliers quittèrent la ville au crépuscule par la porte de l'Ouest qui n'était plus gardée (Seven Knights Left the Village at Dusk through the Western Gate, Which Was No Longer Guarded) (1993) - novel (commonly called Sept cavaliers...)
  • L'Anneau du pêcheur (The Fisher's Ring) (1995) - novel
  • Hurrah Zara ! (Hooray Zara!) (1998) - novel
  • Le Roi au-delà de la mer (The King Over the Water) (2000) - novel
  • Adiós, Tierra del Fuego (Goodbye, Tierra del Fuego) (2001) - travel writing
  • Le son des tambours sur la neige et autres nouvelles d'ailleurs (The Sound of Drums on Snow, and Other News from Elsewhere) (2002)
  • Les Royaumes de Borée (The Kingdoms of Borée) (2003) - novel
  • En canot sur les chemins d'eau du roi, une aventure en Amérique (2005) - travel writing

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Famous quotes containing the word works:

    “Do not worry about the incarnation of ideas. If you are a poet, your works will contain them without your knowledge—they will be both moral and national if you follow your inspiration freely.”
    —Vissarion Belinsky (1810–1848)

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
    —Jane Jacobs (b. 1916)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)