Jean Michel Jarre Discography - Music Videos

Music Videos

  • 1976: Oxygène 4 (from Oxygène)
  • 1978: Equinoxe 4 (from Equinoxe)
  • 1979: Equinoxe 5 (from Equinoxe)
  • 1981: Magnetic Fields 2 (from Magnetic Fields)
  • 1982: Orient Express (from The Concerts in China)
  • 1982: Souvenir Of China (from The Concerts in China)
  • 1984: Zoolook (from Zoolook)
  • 1985: Zoolookologie (from Zoolook)
  • 1986: Rendez-Vous 4 (from Rendez-Vous)
  • 1988: Revolutions (from Revolutions)
  • 1988: London Kid (with Hank Marvin) (from Revolutions)
  • 1989: Oxygene 4 (penguin video) (from Jarre Live)
  • 1990: Calypso (from Waiting for Cousteau)
  • 1990: Calypso (Paris la Defense) (from Waiting for Cousteau)
  • 1993: Chronologie 4 (from Chronologie)
  • 1993: Chronologie 4 (astronaut video) (from Chronologie)
  • 1993: Chronologie 2 (from Chronologie)
  • 1993: Chronologie 8 (from Chronologie)
  • 1997: Oxygene 8 (from Oxygene 7-13)
  • 1997: Oxygene 8 (animated video) (from Oxygene 7-13)
  • 1997: Oxygene 8 (remix) (from Oxygene 7-13)
  • 1997: Oxygene 10 (Sash! Remix) (from Oxygene 7-13)
  • 1998: Rendez-Vous '98 (feat. Apollo Four Forty)
  • 1998: Together Now (feat. Tetsuya Komuro)
  • 2000: C'est La Vie (from Métamorphoses)
  • 2000: Tout Est Bleu (from Métamorphoses)
  • 2004: Aerology (from AERO)
  • 2005: Live from Gdańsk (from Solidarność Live)
  • 2007: Téo & Téa (from Téo & Téa)
  • 2007: Oxygene 4 (The Penguins Return) (from Oxygene: New Master Recording)
  • 2007: Oxygene 4 (from Oxygene: New Master Recording)

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Famous quotes containing the words music and/or videos:

    “Music, ho, music such as charmeth sleep!”
    —William Shakespeare (1564–1616)

    “Ambivalence reaches the level of schizophrenia in our treatment of violence among the young. Parents do not encourage violence, but neither do they take up arms against the industries which encourage it. Parents hide their eyes from the books and comics, slasher films, videos and lyrics which form the texture of an adolescent culture. While all successful societies have inhibited instinct, ours encourages it. Or at least we profess ourselves powerless to interfere with it.”
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