Works
To modern readers, Florian is chiefly known as the author of pretty fables well suited as reading for the young, but his contemporaries praised him also for his poetical and pastoral novels. Florian was very fond of Spain and its literature, doubtless owing to the influence of his Castilian mother, and both abridged and imitated the works of Cervantes.
Florian's first literary efforts were comedies; his verse epistle Voltaire et le serf du Mont Jura and an eclogue Ruth were crowned by the French Academy in 1782 and 1784 respectively. In 1782 also he produced a one-act prose comedy, Le Bon Ménage, and in the next year Galatie, a romantic tale in imitation of the Galatea of Cervantes. Other short tales and comedies followed, and in 1786 appeared Numa Pompilius, an undisguised imitation of Fénelon's Telémaque.
In 1788 he became a member of the French Academy, and published Estelle, a pastoral of the same class as Galatie. Another romance, Gonzalve de Cordoue, preceded by an historical notice of the Moors, appeared in 1791, and his famous collection of Fables in 1802. Among his posthumous works are La Jeunesse de Florian, ou Mémoires d'un Jeune Espagnol (1807), and an abridgment (1809) of Don Quixote, which, though far from being a correct representation of the original, had great and merited success.
Florian imitated Salomon Gessner, the Swiss idyllist, and his style has all the artificial delicacy and sentimentality of the Gessnerian school. Perhaps the nearest example of the class in English literature is afforded by John Wilson's Lights and Shadows of Scottish Life (written as Christopher North). Among the best of his fables are reckoned The Monkey showing the Magic Lantern, The Blind Man and the Paralytic, and The Monkeys and the Leopard.
Read more about this topic: Jean-Pierre Claris De Florian
Famous quotes containing the word works:
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
—Henry David Thoreau (1817–1862)
“Evil is something you recognise immediately you see it: it works through charm.”
—Brian Masters (b. 1939)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)