Career
Rykiel exhibited musical precocity as a child, sitting in with jazz greats like Miles Davis With his recognized talent, and strong connections, he could have been a famous child prodigy. When asked, at age twelve, "Why not put out an album ?" he replied that he would wait until he was an adult, when his music might be evaluated purely on its merit, rather than having people buy the music of "that blind musician kid".
Rykiel first came to public attention via his synthesizer duets with Tim Blake as part of the Crystal Machine audio-visual project in the late 70's, which staged large events involving music and laser-based light shows in France and Japan.
Later he spent much time collaborating with world musicians, notably Mali singer Salif Keita, Tibetan monk Lama Gyurme and Senegalese singer and percussionist Youssou N'Dour.
In 1992 Rykiel composed and performed music for the soundtrack of Les Pierres bleues du désert, dir:Nabil Ayouch
Rykiel and Blake reunited as Crystal Machine to perform at the Gong Unconvention Festival in Amsterdam in 2006.
Read more about this topic: Jean-Philippe Rykiel
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)