Jean-Marie Tjibaou Cultural Centre

The Jean-Marie Tjibaou Cultural Centre, on the narrow Tinu Peninsula, approximately 8 kilometres (5.0 mi) northeast of the historic centre of Nouméa, the capital of New Caledonia, celebrates the vernacular Kanak culture, the indigenous culture of New Caledonia, amidst much political controversy over the independent status sought by the Kanaks from French colonial rule. It opened in June 1998 and was designed by Italian architect Renzo Piano and named after Jean-Marie Tjibaou, the leader of the independence movement who was assassinated in 1989 and who had a vision of establishing a cultural centre which blended the linguistic and artistic heritage of the Kanak people.

The Kanak building traditions and the resources of modern international architecture were blended by Piano. The formal curved axial layout, 250 metres (820 ft) long on the top of the ridge, contains ten large conical cases or pavilions (all of different dimensions) patterned on the traditional Kanak Grand Hut design. The building is surrounded by landscaping which is also inspired by traditional Kanak design elements. Marie Claude Tjibaou, widow of Jean Marie Tjibaou and current leader of the Agency for the Development of Kanak Culture (ADCK), observed: "We, the Kanaks, see it as a culmination of a long struggle for the recognition of our identity; on the French Government’s part it is a powerful gesture of restitution."

Read more about Jean-Marie Tjibaou Cultural Centre:  History, Geography, Concept Planning, Description

Famous quotes containing the words cultural and/or centre:

    If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.
    Janice A. Radway (b. 1949)

    Old politicians, like old actors, revive in the limelight. The vacancy which afflicts them in private momentarily lifts when, once more, they feel the eyes of an audience upon them. Their old passion for holding the centre of the stage guides their uncertain footsteps to where the footlights shine, and summons up a wintry smile when the curtain rises.
    Malcolm Muggeridge (1903–1990)