Other Media
A three-issue comic adaptation of Jason Goes to Hell: The Final Friday written by Andy Mangels was published by Topps Comics. As the comics are based upon the original shooting script of the film, elements that were left out of the film are used in them. Topps also released a series of trading cards for the film.
The FBI sting that occurs at the beginning of the film is foreshadowed in the novel Friday the 13th: Hate-Kill-Repeat, which takes place between the events of the seventh and eighth films. The epilogue of the book states that the FBI, upon discovering Jason Voorhees actually exists, have begun making plans to trap him and "send him straight to Hell"; the actual events of the 'sting' are revealed in Friday the 13th: Church of the Divine Psychopath.
Freddy Krueger's clawed hand coming out of the ground and taking Jason's mask was a reference to the future crossover, Freddy vs. Jason between the two (similar to the Alien Skull scene in Predator 2, which was a production in-joke), which had been in development hell since 1987. It was finally finished in 2003, a year after this film's sequel.
The film features the appearances of the skull dagger and Necronomicon from the Evil Dead films. Jason, Freddy, and Ash Williams (the main protagonist of the Evil Dead movies) would later meet in the comic book series Freddy vs. Jason vs. Ash (a story adapted by writer Jeff Katz from a Freddy vs. Jason 2 screenplay treatment he had written in 2004) and again in Freddy vs. Jason vs. Ash: The Nightmare Warriors.
Read more about this topic: Jason Goes To Hell: The Final Friday
Famous quotes containing the word media:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognises neither pity nor pitilessness.”
—John Berger (b. 1926)